Contrast (Minimum):
Understanding SC 1.4.3

Intent of this Success Criterion

The intent of this Success Criterion is to provide enough contrast between text and its background so that it can be read by people with moderately low vision (who do not use contrast-enhancing assistive technology). For people without color deficiencies, hue and saturation have minimal or no effect on legibility as assessed by reading performance (Knoblauch et al., 1991). Color deficiencies can affect luminance contrast somewhat. Therefore, in the recommendation, the contrast is calculated in such a way that color is not a key factor so that people who have a color vision deficit will also have adequate contrast between the text and the background.

Text that is decorative and conveys no information is excluded. For example, if random words are used to create a background and the words could be rearranged or substituted without changing meaning, then it would be decorative and would not need to meet this criterion.

Text that is larger and has wider character strokes is easier to read at lower contrast. The contrast requirement for larger text is therefore lower. This allows authors to use a wider range of color choices for large text, which is helpful for design of pages, particularly titles. 18 point text or 14 point bold text is judged to be large enough to require a lower contrast ratio. (See The American Printing House for the Blind Guidelines for Large Printing and The Library of Congress Guidelines for Large Print under Resources). "18 point" and "bold" can both have different meanings in different fonts but, except for very thin or unusual fonts, they should be sufficient. Since there are so many different fonts, the general measures are used and a note regarding fancy or thin fonts is included.

The previously-mentioned contrast requirements for text also apply to images of text (text that has been rendered into pixels and then stored in an image format) as stated in Success Criterion 1.4.3.

This requirement applies to situations in which images of text were intended to be understood as text. Incidental text, such as in photographs that happen to include a street sign, are not included. Nor is text that for some reason is designed to be invisible to all viewers. Stylized text, such as in corporate logos, should be treated in terms of its function on the page, which may or may not warrant including the content in the text alternative. Corporate visual guidelines beyond logo and logotype are not included in the exception.

In this provision there is an exception that reads "that are part of a picture that contains significant other visual content,". This exception is intended to separate pictures that have text in them from images of text that are done to replace text in order to get a particular look.

The minimum contrast success criterion (1.4.3) applies to text in the page, including placeholder text and text that is shown when a pointer is hovering over an object or when an object has keyboard focus. If any of these are used in a page, the text needs to provide sufficient contrast.

Although this Success Criterion only applies to text, similar issues occur for content presented in charts, graphs, diagrams, and other non-text-based information. Content presented in this manner should also have good contrast to ensure that more users can access the information.

See also Understanding Success Criterion 1.4.6 Contrast (Enhanced).

Rationale for the Ratios Chosen

Text that is larger and has wider character strokes is easier to read at lower contrast. The contrast requirement for larger text is therefore lower. This allows authors to use a wider range of color choices for large text, which is helpful for design of pages, particularly titles. 18 point text or 14 point bold text is judged to be large enough to require a lower contrast ratio. (See The American Printing House for the Blind Guidelines for Large Printing and The Library of Congress Guidelines for Large Print under Resources). "18 point" and "bold" can both have different meanings in different fonts but, except for very thin or unusual fonts, they should be sufficient. Since there are so many different fonts, the general measures are used and a note regarding fancy or thin fonts is included.

Hues are perceived differently by users with color vision deficiencies (both congenital and acquired) resulting in different colors and relative luminance contrasts than for normally sighted users. Because of this, effective contrast and readability are different for this population. However, color deficiencies are so diverse that prescribing effective general use color pairs (for contrast) based on quantitative data is not feasible. Requiring good luminance contrast accommodates this by requiring contrast that is independent of color perception. Fortunately, most of the luminance contribution is from the mid and long wave receptors which largely overlap in their spectral responses. The result is that effective luminance contrast can generally be computed without regard to specific color deficiency, except for the use of predominantly long wavelength colors against darker colors (generally appearing black) for those who have protanopia. (We provide an advisory technique on avoiding red on black for that reason). For more information see [ARDITI-KNOBLAUCH] [ARDITI-KNOBLAUCH-1996] [ARDITI].

A contrast ratio of 3:1 is the minimum level recommended by [ISO-9241-3] and [ANSI-HFES-100-1988] for standard text and vision. The 4.5:1 ratio is used in this provision to account for the loss in contrast that results from moderately low visual acuity, congenital or acquired color deficiencies, or the loss of contrast sensitivity that typically accompanies aging.

The rationale is based on a) adoption of the 3:1 contrast ratio for minimum acceptable contrast for normal observers, in the ANSI standard, and b) the empirical finding that in the population, visual acuity of 20/40 is associated with a contrast sensitivity loss of roughly 1.5 [ARDITI-FAYE]. A user with 20/40 would thus require a contrast ratio of 3 * 1.5 = 4.5 to 1. Following analogous empirical findings and the same logic, the user with 20/80 visual acuity would require contrast of about 7:1.

The contrast ratio of 4.5:1 was chosen for level AA because it compensated for the loss in contrast sensitivity usually experienced by users with vision loss equivalent to approximately 20/40 vision. (20/40 calculates to approximately 4.5:1.) 20/40 is commonly reported as typical visual acuity of elders at roughly age 80. [GITTINGS-FOZARD]

The contrast ratio of 7:1 was chosen for level AAA because it compensated for the loss in contrast sensitivity usually experienced by users with vision loss equivalent to approximately 20/80 vision. People with more than this degree of vision loss usually use assistive technologies to access their content (and the assistive technologies usually have contrast enhancing, as well as magnification capability built into them). The 7:1 level therefore generally provides compensation for the loss in contrast sensitivity experienced by users with low vision who do not use assistive technology and provides contrast enhancement for color deficiency as well.

Notes on formula

Conversion from nonlinear to linear RGB values is based on IEC/4WD 61966-2-1 [IEC-4WD] and on "A Standard Default Color Space for the Internet - sRGB" [sRGB].

The formula (L1/L2) for contrast is based on [ISO-9241-3] and [ANSI-HFES-100-1988] standards.

The ANSI/HFS 100-1988 standard calls for the contribution from ambient light to be included in the calculation of L1 and L2. The .05 value used is based on Typical Viewing Flare from [IEC-4WD] and the [sRGB] paper by M. Stokes et al.

This Success Criterion and its definitions use the terms "contrast ratio" and "relative luminance" rather than "luminance" to reflect the fact that Web content does not emit light itself. The contrast ratio gives a measure of the relative luminance that would result when displayed. (Because it is a ratio, it is dimensionless.)