Abstract
Electronic music production was originally accomplished using a variety of electronic components and conventional analogue recording techniques. Both the electronic components and the recording equipment are now being replaced by computer software. In this paper we present a comparative study of two popular new systems, Reason and Live, concentrating on the role of user-interface metaphors. We compare the two systems, identify the key ways metaphor is used, and describe how it affects usability of the systems focusing on the role that user-interface metaphor play in their design.
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© 2004 Springer-Verlag Berlin Heidelberg
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Duignan, M., Noble, J., Barr, P., Biddle, R. (2004). Metaphors for Electronic Music Production in Reason and Live . In: Masoodian, M., Jones, S., Rogers, B. (eds) Computer Human Interaction. APCHI 2004. Lecture Notes in Computer Science, vol 3101. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-27795-8_12
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DOI: https://doi.org/10.1007/978-3-540-27795-8_12
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