Computational Intelligence in Music, Sound, Art and Design: 6th International Conference, EvoMUSART 2017, Amsterdam, The Netherlands, April 19–21, 2017, Proceedings | SpringerLink
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Computational Intelligence in Music, Sound, Art and Design

6th International Conference, EvoMUSART 2017, Amsterdam, The Netherlands, April 19–21, 2017, Proceedings

  • Conference proceedings
  • © 2017

Overview

Editors:
  1. João Correia

    1. University of Coimbra , Coimbra, Portugal

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  2. Vic Ciesielski

    1. RMIT University , Melbourne, Australia

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    You can also search for this editor in PubMed   Google Scholar

  3. Antonios Liapis

    1. University of Malta , Msida, Malta

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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 10198)

Part of the book sub series: Theoretical Computer Science and General Issues (LNTCS)

Included in the following conference series:

Conference proceedings info: EvoMUSART 2017.

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About this book

This book constitutes the refereed proceedings of the 6th International Conference on Evolutionary Computation in Combinatorial Optimization, EvoMUSART 2017, held in Amsterdam, The Netherlands, in April 2017, co-located with the Evo*2017 events EuroGP, EvoCOP and EvoApplications.

The 24 revised full papers presented were carefully reviewed and selected from 29 submissions. The papers cover a wide range of topics and application areas, including: generative approaches to music, graphics, game content, and narrative; music information retrieval; computational aesthetics; the mechanics of interactive evolutionary computation; computer-aided design; and the art theory of evolutionary computation.

 

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Table of contents (24 papers)

  1. Front Matter

    Pages I-X
    Download chapter PDF

  2. Algorithmic Songwriting with ALYSIA

    • Margareta Ackerman, David Loker
    Pages 1-16

  3. On Symmetry, Aesthetics and Quantifying Symmetrical Complexity

    • Mohammad Majid al-Rifaie, Anna Ursyn, Robert Zimmer, Mohammad Ali Javaheri Javid
    Pages 17-32

  4. Towards Polyphony Reconstruction Using Multidimensional Multiple Sequence Alignment

    • Dimitrios Bountouridis, Frans Wiering, Dan Brown, Remco C. Veltkamp
    Pages 33-48

  5. Melody Retrieval and Classification Using Biologically-Inspired Techniques

    • Dimitrios Bountouridis, Dan Brown, Hendrik Vincent Koops, Frans Wiering, Remco C. Veltkamp
    Pages 49-64

  6. Evolved Aesthetic Analogies to Improve Artistic Experience

    • Aidan Breen, Colm O’Riordan, Jerome Sheahan
    Pages 65-80

  7. Deep Artificial Composer: A Creative Neural Network Model for Automated Melody Generation

    • Florian Colombo, Alexander Seeholzer, Wulfram Gerstner
    Pages 81-96

  8. A Kind of Bio-inspired Learning of mUsic stylE

    • Roberto De Prisco, Delfina Malandrino, Gianluca Zaccagnino, Rocco Zaccagnino, Rosalba Zizza
    Pages 97-113

  9. Using Autonomous Agents to Improvise Music Compositions in Real-Time

    • Patrick Hutchings, Jon McCormack
    Pages 114-127

  10. Generating Polyphonic Music Using Tied Parallel Networks

    • Daniel D. Johnson
    Pages 128-143

  11. Mixed-Initiative Creative Drawing with webIconoscope

    • Antonios Liapis
    Pages 144-159

  12. Clustering Agents for the Evolution of Autonomous Musical Fitness

    • Róisín Loughran, Michael O’Neill
    Pages 160-175

  13. EvoFashion: Customising Fashion Through Evolution

    • Nuno Lourenço, Filipe Assunção, Catarina Maçãs, Penousal Machado
    Pages 176-189

  14. A Swarm Environment for Experimental Performance and Improvisation

    • Frank Mauceri, Stephen M. Majercik
    Pages 190-200

  15. Niche Constructing Drawing Robots

    • Jon McCormack
    Pages 201-216

  16. Automated Shape Design by Grammatical Evolution

    • Manuel Muehlbauer, Jane Burry, Andy Song
    Pages 217-229

  17. Evolutionary Image Transition Using Random Walks

    • Aneta Neumann, Bradley Alexander, Frank Neumann
    Pages 230-245

  18. Evaluation Rules for Evolutionary Generation of Drum Patterns in Jazz Solos

    • Fabian Ostermann, Igor Vatolkin, Günter Rudolph
    Pages 246-261

  19. Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test

    • Yasser S. Arenas Rebolledo, Peter van der Putten, Maarten H. Lamers
    Pages 262-274

  20. Play it Again: Evolved Audio Effects and Synthesizer Programming

    • Benjamin D. Smith
    Pages 275-288
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Other volumes

  1. Computational Intelligence in Music, Sound, Art and Design

Editors and Affiliations

  • University of Coimbra , Coimbra, Portugal

    João Correia

  • RMIT University , Melbourne, Australia

    Vic Ciesielski

  • University of Malta , Msida, Malta

    Antonios Liapis

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