Video Game Mise-En-Scene Remediation of Cinematic Codes in Video Games | SpringerLink
Skip to main content
Springer Nature Link
Log in

Video Game Mise-En-Scene Remediation of Cinematic Codes in Video Games

  • Conference paper
Interactive Storytelling (ICIDS 2013)

Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 8230))

Included in the following conference series:

Abstract

This paper aims to discuss two primary points. Firstly, I argue that due to the complex development of Game Studies as a field and to the constant technological innovation, it is important to elaborate a reflection on the current state of video game aesthetics and its relationship with other audiovisual media. Secondly, the relevance of film-related analytical and theoretical tool is explored through the analysis of video game mise-en-scene and its tools of representation. I want to highlight the similar aesthetic strategies and, at the same time, to underline the shifts occurred in terms of functions. Finally, I describe two relevant aesthetic tendencies in the current video game generation: the scripted staging and the expressive lighting.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution

Subscribe and save

Springer+ Basic
¥17,985 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
JPY 3498
Price includes VAT (Japan)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
JPY 5719
Price includes VAT (Japan)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
JPY 7149
Price includes VAT (Japan)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Similar content being viewed by others

References

  1. Wolf, M.J.P.: Inventing Space: Toward a Taxonomy of On- and Off- Screen Space in Video Games. Film Quarterly 51(1), 11–23 (1997)

    Article  Google Scholar 

  2. Murray, J.: From Game-Story to Cyberdrama. In: Wardrip-Fruin, N., Harrigan, P. (eds.) First Person - New Media as Story Performance and Game, pp. 2–11. MIT Press, Cambridge (2004)

    Google Scholar 

  3. Aarseth, E.: Genre Trouble: Narrativism and the Art of Simulation. In: Wardrip-Fruin, N., Harrigan, P. (eds.) First Person - New Media as Story Performance and Game, pp. 45–55. MIT Press, Cambridge (2004)

    Google Scholar 

  4. Gonzalo, F.: Ludologists love stories, too: notes from a debate that never took place. In: Level Up Conference Proceedings (2003), http://www.digra.org/wp-content/uploads/digital-library/05163.01125.pdf (retrieved)

  5. Wolf, M.J.P., Perron, B. (eds.): The Video Game Theory Reader 2, p. 4. Routledge, New York (2009)

    Google Scholar 

  6. Wolf, M.J.P. (ed.): The Medium of Video Game. University of Texas Press, Austin (2001)

    Google Scholar 

  7. King, G., Krzywinska, T. (eds.): ScreenPlay: cinema/videogames/interfaces. Wallflower Press, London (2002)

    Google Scholar 

  8. Nitsche, M.: Video Game Spaces: Image, Play, and Structure in 3D Game Worlds. MIT Press, Cambridge (2008)

    Book  Google Scholar 

  9. Galloway, A.: Gaming, Essays on Algorithmic Culture. University of Minnesota Press (2006)

    Google Scholar 

  10. Bolter, J.D., Grusin, R.: Remediation, Understanding New Media. MIT Press, Cambridge (1999)

    Google Scholar 

  11. Arsenault, D., Côté, P.M.: Reverse-engineering graphical innovation. G|A|M|E, Games as Art, Media and Entertainment 2(1) (2013), http://www.gamejournal.it/reverse-engineering-graphical-innovation-an-introduction-to-graphical-regimes/#.UhYm52R5xi4 (retrieved )

  12. Mactavish, A.: Technological Pleasure: The Performance and Narrative of Technology in Half Life and other Hight-Tech Computer Games. In: King, G., Krzywinska, T. (eds.) ScreenPlay: Cinema/Videogames/Interfaces, pp. 33–49. Wallflower Press, London (2002)

    Google Scholar 

  13. Bordwell, D., Thompson, K.: Film Art: An Introduction, 7th edn. McGraw Hill, New York (2004)

    Google Scholar 

  14. Gibbs, J.: Mise-en-scene – Film Style and Interpretation. Wallflower, London (2002)

    Google Scholar 

  15. Jenkins, H.: Game Design as Narrative Architecture. In: Wardrip-Fruin, N., Harrigan, P. (eds.) First Person - New Media as Story Performance and Game, pp. 118–130. MIT Press, Cambridge (2004)

    Google Scholar 

  16. Heath, S.: Narrative Space. Screen 17(3), 68–112 (1976)

    Article  Google Scholar 

  17. Cooper, M.G.: Narrative Space. Screen 43(2), 139–157 (2002)

    Article  Google Scholar 

  18. Uncharted 3: Drake’s Deception [video game] Naughty Dog, USA (2011)

    Google Scholar 

  19. Mass Effect 3 [video game] BioWare, Canada (2012)

    Google Scholar 

  20. Dead Space 2 [video game] Visceral Games, USA (2011)

    Google Scholar 

  21. Far Cry 3 [video game] Ubisoft Montreal and Ubisoft Bucharest, Canada/France (2012)

    Google Scholar 

  22. God of War 3 [video game] SCE Santa Monica Studio, USA (2010)

    Google Scholar 

  23. Assassin’s Creed 3 [video game] Ubisoft Montreal and Ubisoft Bucharest, Canada/France (2012)

    Google Scholar 

  24. Uncharted 2: Among Thieves [video game] Naughty Dog, USA (2008)

    Google Scholar 

  25. Gallegos, A.: Call of Duty: Black Ops 2 – A Bold New Future. In: I. IGN.com (May 01, 2012), http://uk.ign.com/articles/2012/05/02/call-of-duty-black-ops-2-a-bold-new-future (visited on February 19, 2013) (retrieved )

  26. Call of Duty 4: Modern Warfare 3 [video game] Infinity Ward, USA (2011)

    Google Scholar 

  27. Millerson, G.: The Technique of Lighting for Television and Film, 3rd edn. Focal Press, Oxford ([1972] 1991)

    Google Scholar 

  28. L.A. Noire [video game] Team Bondi and Rockstar Games, USA (2011)

    Google Scholar 

  29. Mass Effect [video game] Bioware, USA (2007)

    Google Scholar 

  30. Misek, R.: Chromatic Cinema: A History of Screen Color. Wiley-Blackwell, Oxford (2010)

    Book  Google Scholar 

Download references

Author information

Authors and Affiliations

  1. University of Warwick, Coventry, CV4 7AL, UK

    Ivan Girina

Authors
  1. Ivan Girina
    View author publications

    You can also search for this author in PubMed Google Scholar

Editor information

Editors and Affiliations

  1. Department of Telecommunications, University of Georg, 30602, Athens, GA, USA

    Hartmut Koenitz

  2. Faculty of Communications, Istanbul Bilgi University, Eyub, 34060, Istanbul, Turkey

    Tonguc Ibrahim Sezen

  3. School of Informatics and Computing, Indiana University, 47405, Bloomington, IN, USA

    Gabriele Ferri

  4. School of Computer Science and Statistics, Trinity College, Dublin, Ireland

    Mads Haahr

  5. Faculty of Communications, Istanbul University, Beyazit, 34452, Istanbul, Turkey

    Digdem Sezen

  6. Bahc̨es̨ehir University, Karaköy, 34425, Istanbul, Turkey

    Güven C̨atak

Rights and permissions

Reprints and permissions

Copyright information

© 2013 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Girina, I. (2013). Video Game Mise-En-Scene Remediation of Cinematic Codes in Video Games . In: Koenitz, H., Sezen, T.I., Ferri, G., Haahr, M., Sezen, D., C̨atak, G. (eds) Interactive Storytelling. ICIDS 2013. Lecture Notes in Computer Science, vol 8230. Springer, Cham. https://doi.org/10.1007/978-3-319-02756-2_5

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-02756-2_5

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-02755-5

  • Online ISBN: 978-3-319-02756-2

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics

Search

Navigation