Abstract
Concepts and methods from theoretical physics and abstract mathematics can inspire new techniques to analyze the structure of musical compositions, seen as the unfolding of phenomena over time. Here, we consider an adaptation to music of a criterion to measure memory in quantum states (degree of non-Markovianity) and elements from the mathematical theory of musical gestures. We analyze salient features of two opera pieces, from Verdi’s La forza del destino and Wagner’s Tristan und Isolde, commenting the obtained results and the limits of these techniques.
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Notes
- 1.
Original code in C by MM; version for MAX/MSP by OCH. The original idea of a musical non-Markovianity degree is due to the physicist Giuseppe Compagno.
- 2.
Traditionally referred to as hypergestures, or 2-gestures.
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Acknowledgments
The authors thank Prof. Domenico Fiorenza, supervisor (jointly with MM) of the MSc thesis in Mathematics by AA, for his suggestions on algebraic geometry. The work by OCH is supported by the European Project IIMPAQCT, under grant agreement Nr. 101109258 (DOI 10.3030/101109258).
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Conceptualization and writing: AA, OCH, and MM; gestures: AA; non-Markovianity: MM and OCH; revision: MM.
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Avitabile, A., Hamido, O.C., Mannone, M. (2024). Quantum Memory and Mathematical Gestures: Two Perspectives on Verdi and Wagner. In: Noll, T., Montiel, M., Gómez, F., Hamido, O.C., Besada, J.L., Martins, J.O. (eds) Mathematics and Computation in Music. MCM 2024. Lecture Notes in Computer Science, vol 14639. Springer, Cham. https://doi.org/10.1007/978-3-031-60638-0_11
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