Kokkeibonとは 意味・読み方・使い方

Comical stories called dangibon and kokkeibon: "Tokai dochu hizakurige" (Travels on Foot on the Tokaido) by Ikku JUPPENSHA, and "Ukiyo-buro" (The Bathhouse of the Floating World) by Sanba SHIKITEI発音を聞く 例文帳に追加

談義本・滑稽本：十返舎一九『東海道中膝栗毛』、式亭三馬『浮世風呂』 - Wikipedia日英京都関連文書対訳コーパス

Because kokkeibon did not require as much knowledge of kango and ability to structure a story as when writing yomihon, they were often written as a spare-time activity in circles and were even published in the provinces.発音を聞く 例文帳に追加

読本ほどの漢語知識と構成力は必要とされないため仲間内で趣味的に作られることも多く、地方でも独自に出版された。 - Wikipedia日英京都関連文書対訳コーパス

This genre and the contemporary rakugo (comic storytelling) influenced each other, and sometimes a story from a kokkeibon was performed as a rakugo story with a witty punch line.発音を聞く 例文帳に追加

当時の落語と相互に影響を与え、滑稽本に書かれた話が落とし話として演じられることもあった。 - Wikipedia日英京都関連文書対訳コーパス

Despite its entertaining tendency, Yomihon texts often included words of Chinese origin, and as such, it is considered literature of higher quality in comparison to Kokkeibon (comical and humorous stories) and Kusazoshi (illustrated books).発音を聞く 例文帳に追加

娯楽性も強いが漢語が散りばめられ、会話文主体で平易な滑稽本や草双紙などと比べ文学性の高いものと認識されている。 - Wikipedia日英京都関連文書対訳コーパス

Compared to the yomihon literature that focused on narrative and was full of kango (originally Chinese words and expressions), kokkeibon books were written in a simple style with many colloquial expressions, and they made ordinary readers laugh using techniques such as simple puns, words and deeds deviating from social norms, and indecent topics.発音を聞く 例文帳に追加

物語性を重視し漢語がちりばめられた読本に比べ、滑稽本は会話文を主体とした平易な文章で、単純な言葉の引っかけや常識から逸脱した言動、下ネタなどで大衆的な読者の笑いを誘う。 - Wikipedia日英京都関連文書対訳コーパス

After the Tempo Reforms by which entertainment as a whole was strictly regulated, he stopped his painting activities leaving them to many of his disciples and devoted himself for literary pursuits including Gokan (bound-together volumes of illustrated books) and Kokkeibon (literally "comical book") under the appellation of Ippitsuan Kako.発音を聞く 例文帳に追加

娯楽全般に厳しく統制される天保の改革の時勢を迎えたのちは、画業はもっぱら多くの門人に任せて自らは描く事をやめ、一筆庵可候の号をもって合巻や滑稽本を主とする文筆業に専念した。 - Wikipedia日英京都関連文書対訳コーパス