席亭の英語

席亭寄席の運営者や経営者の事。例文帳に追加

Sekitei: The operator or owner of a yose発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

浅草井村楼での演説のために東京府下の演説が禁じられたので、講釈師の鑑札を受けて芸名「先醒堂覚明」で席亭に出、講談に託して自由民権を説いたが、席亭主人とともに罰せられ、健之は集会条例違反で軽禁錮1ヶ月に処せられた。例文帳に追加

Since Kenshi was banned from making a public speech within Tokyo Prefecture because of the speech he had made at the Asakusa Imura-ro hall, he obtained a lecturer's license to appear at a vaudeville hall under the stage name "Senseido Kakumei" and advocated freedom and people's rights through his oral storytelling, but he was punished along with the host of the vaudeville hall and was sentenced to brief imprisonment, one month in jail, for violating the Public Assembly Law.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

寄席（よせ）とは、都市において落語・浪曲・講談・漫才・奇術などの技芸を観客に見せるため席亭（興行主）が経営する常設の興行小屋である。例文帳に追加

A yose originally referred to a permanent hut operated by a promoter where professionals of rakugo (traditional comic storytelling), rokyoku (naniwabushi recitation), kodan storytelling, manzai or a comic dialogue, or magicians entertained their audiences by exhibiting their skills in speaking or trickery.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

それ以上の、名跡にふさわしいか否かについての判断のために、しばしば襲名にあたっては、当該襲名者の師匠の許し、歌舞伎であれば松竹、落語ならば席亭や師匠の判断、さらに場合によっては同姓同亭号の大立者の協賛などが必要になってくる。例文帳に追加

In addition to the master's permission for Mysoeki name title inheritance to proceed, to ascertain whether or not a candidate for Myoseki name/title inheritance is appropriate, it is a common requirement that decisions must be made by Shochiku Co., Ltd., (when involving kabuki), or a theater's owner/master (when rakugo related), and even sometimes in further addition, support is required of the principle figure who goes by the same family name/same teigo (school name).発音を聞く  - Wikipedia日英京都関連文書対訳コーパス

寄席が落語と切り離せないのは、落語家にとって寄席が修行の場であり芸を磨く唯一無二の舞台とされること、観客も贔屓の演者の成長と演者ごとの演出の違いを楽しむという点にあり、「完成品」を見せるホール落語と違い寄席落語には「未完成」なりの面白さ、真剣さがあるとされる（新宿末廣亭初代席亭の北村銀太郎の発言より）例文帳に追加

According to a remark by Gintaro KITAMURA, the first owner of the Shinjuku Suehirotei theater, a yose and rakugo cannot be separated because, for rakugo storytellers, yose are only the place where they can polish their storytelling techniques, and audiences also enjoy the growth of the performers and the differences in the performance of each rakugo storyteller; it is said that while 'complete' performances are presented in the rakugo performed in halls, rakugo in yose are, due to their being 'incomplete,' interesting and performed seriously.発音を聞く  - Wikipedia日英京都関連文書対訳コーパス