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2020 – today
- 2024
[c21]Daniel Bisig
, Pablo Palacio, Muriel Romero:
Translating Dance Principles Into Other Modalities. Audio Mostly Conference 2024: 457-467- 2023
- [i2]Kivanç Tatar, Kelsey Cotton, Daniel Bisig:
Sound Design Strategies for Latent Audio Space Explorations Using Deep Learning Architectures. CoRR abs/2305.15571 (2023) - 2022
- [c20]Daniel Bisig, Muriel Romero:
Simulating Idiosyncratic Movement Qualities. ArtsIT 2022: 466-479 - [c19]Daniel Bisig:
Expressive Aliens - Laban Effort Factors for Non-anthropomorphic Morphologies. EvoMUSART 2022: 36-51 - [c18]Daniel Bisig:
Generative Dance - a Taxonomy and Survey. MOCO 2022: 3:1-3:10 - 2021
- [j3]Kivanç Tatar, Daniel Bisig, Philippe Pasquier:
Latent Timbre Synthesis. Neural Comput. Appl. 33(1): 67-84 (2021) - 2020
- [c17]Daniel Bisig, Pablo Palacio:
Sounding feet. Audio Mostly Conference 2020: 222-228 - [i1]Kivanç Tatar, Daniel Bisig, Philippe Pasquier:
Introducing Latent Timbre Synthesis. CoRR abs/2006.00408 (2020)
2010 – 2019
- 2017
- [c16]Jan C. Schacher, Daniel Bisig:
Haunting Space, Social Interaction in a Large-Scale Media Environment. INTERACT (1) 2017: 242-262 - [c15]Pablo Palacio, Daniel Bisig:
Piano&Dancer: Interaction Between a Dancer and an Acoustic Instrument. MOCO 2017: 6:1-6:8 - 2016
- [c14]Daniel Bisig, Pablo Palacio:
Neural Narratives: Dance with Virtual Body Extensions. MOCO 2016: 4:1-4:8 - 2015
- [c13]Tatsuo Unemi, Daniel Bisig:
Visual Liquidizer or Virtual Merge. CHI Extended Abstracts 2015: 343-346 - [c12]Jan C. Schacher, Chikashi Miyama, Daniel Bisig:
Gestural electronic music using machine learning as generative device. NIME 2015: 347-350 - 2014
- [j2]Jan C. Schacher, Daniel Bisig, Philippe Kocher:
The Map and the Flock: Emergence in Mapping with Swarm Algorithms. Comput. Music. J. 38(3): 49-63 (2014) - [c11]Jan C. Schacher, Daniel Bisig:
Watch This! Expressive Movement in Electronic Music Performance. MOCO 2014: 106 - 2013
- [c10]Daniel Bisig, Sébastien Schiesser:
Coral - a Physical and Haptic Extension of a Swarm Simulation. NIME 2013: 385-388 - 2012
- [c9]Daniel Bisig, Philippe Kocher:
Tools and Abstractions for Swarm Based Music and Art. ICMC 2012 - 2011
- [c8]Jan C. Schacher, Daniel Bisig, Martin Neukom:
Composing with Swarm Algorithms - Creating interactive audio-visual pieces with flocking behavior. ICMC 2011 - [c7]Daniel Bisig, Jan C. Schacher, Martin Neukom:
Flowspace - A Hybrid Ecosystem. NIME 2011: 260-263
2000 – 2009
- 2008
- [c6]Tatsuo Unemi, Yoshiaki Matsui, Daniel Bisig:
Identity SA 1.6: an artistic software that produces a deformed audiovisual reflection based on a visually interactive swarm. Advances in Computer Entertainment Technology 2008: 297-300 - [c5]Daniel Bisig, Martin Neukom, John Flury:
Interactive Swarm Orchestra a Generic Programming Environment for Swarm Based Computer Music. ICMC 2008 - [c4]Daniel Bisig, Martin Neukom, John Flury:
Interactive Swarm Orchestra an Artificial Life Approach to Computer Music. ICMC 2008 - 2007
- [j1]Jill Scott, Daniel Bisig, Valerie Bugmann:
e-skin: research into wearable interfaces, cross-modal perception and communication for the visually impaired on the mediated stage. Digit. Creativity 18(4): 221-233 (2007) - 2006
- [c3]Daniel Bisig, Tatsuo Unemi:
MediaFlies - An Interactive Flocking Based Tool for the Remixing of Media. FLAIRS 2006: 221-226 - [c2]John Flury, Daniel Bisig:
Celerina - A Generative Music System Using Aesthetical Reduction Applied to Simple Cellular Automata. FLAIRS 2006: 237-242 - 2004
- [c1]Daniel Bisig:
BioSonics: sensual explorations of a complex system. IUI 2004: 220-222
Coauthor Index
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