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ORCIDStuart Cunningham 0001
Person information
- affiliation: University of Chester, UK
- affiliation (former): Manchester Metropolitan University, UK
- affiliation (former): Glyndŵr University, Wrexham, Centre for Creative and Applied Research for the Digital Society (CARDS), UK
- affiliation (former): University of Wales, Centre for Applied Internet Research (CAIR), UK
Other persons with the same name
- Stuart Cunningham 0002
![[0000-0002-7437-1424]](https://dblp.uni-trier.de/img/orcid-mark.12x12.png "0000-0002-7437-1424")
— Queensland University of Technology, Brisbane, Australia - Stuart P. Cunningham (aka: Stuart Cunningham 0003) — University of Sheffield, Department of Human Communication Sciences, UK
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2020 – today
- 2024
[j7]Stuart Cunningham, Iain McGregor:
Audience perceptions of Foley footsteps and 3D realism designed to convey walker characteristics. Pers. Ubiquitous Comput. 28(5): 779-799 (2024)- [c41]Alexander Brooke, Matthew Crossley, Huw Lloyd, Stuart Cunningham:
Assessing Type Agreeability in the Unified Model of Personality and Play Styles. CoG 2024: 1-8 - [c40]Andrei Copaceanu, Jonathan Weinel, Stuart Cunningham:
Using Voice Input to Control and Interact With a Narrative Video Game. EVA 2024: 345-347 - [c39]Andrew Muncey, Mike Morgan, Stuart Cunningham:
Meaningful automated feedback on Objected-Oriented program development tasks in Java. UKICER 2024: 6:1-6:6 - 2023
- [c38]Stuart Cunningham, Iain McGregor, Jonathan Weinel, John Darby, Tony Stockman:
Towards a Framework of Aesthetics in Sonic Interaction. Audio Mostly Conference 2023: 109-115 - 2022
- [c37]Stuart Cunningham, Iain Peter McGregor:
Manipulating Foley Footsteps and Character Realism to Influence Audience Perceptions of a 3D Animated Walk Cycle. Audio Mostly Conference 2022: 113-120 - [c36]Tyler Howard McIntosh, Jonathan Weinel, Stuart Cunningham:
Lundheim: Exploring Affective Audio Techniques in an Action-Adventure Video Game. Audio Mostly Conference 2022: 155-158 - 2021
- [j6]Stuart Cunningham, Iain McGregor:
Evaluating Use of the Doppler Effect to Enhance Auditory Alerts. Int. J. Hum. Comput. Interact. 37(11): 1074-1087 (2021) - [j5]Stuart Cunningham, Harrison Ridley, Jonathan Weinel, Richard Picking:
Supervised machine learning for audio emotion recognition. Pers. Ubiquitous Comput. 25(4): 637-650 (2021) - [c35]Kimberly Anne Sheen, Jillian R. Griffiths, Derren Wilson, Stuart Cunningham:
A Novel Pandemic Delivery Pattern for a New Digital User Experience Degree Apprenticeship. AHFE (18) 2021: 335-342 - [c34]Robbie Jadowski, Stuart Cunningham:
Statistical Models for Predicting Results in Professional League of Legends. ArtsIT 2021: 138-152 - 2020
- [c33]Mark Lawton, Stuart Cunningham, Ian Convery:
Nature soundscapes: an audio augmented reality experience. Audio Mostly Conference 2020: 85-92
2010 – 2019
- 2019
- [j4]Stuart Cunningham, Iain McGregor:
Subjective Evaluation of Music Compressed with the ACER Codec Compared to AAC, MP3, and Uncompressed PCM. Int. J. Digit. Multim. Broadcast. 2019: 8265301:1-8265301:16 (2019) - [c32]Stuart Cunningham, Harrison Ridley, Jonathan Weinel, Richard Picking:
Audio Emotion Recognition using Machine Learning to support Sound Design. Audio Mostly Conference 2019: 116-123 - [c31]Stuart Cunningham:
Communicating Auditory Impairments Using Electroacoustic Composition. EVA 2019: 336-341 - [c30]David Schwarz, Stuart Cunningham, Rebecca Woodford Smith:
Towards a New Paradigm for Intuitive Theatrical Lighting Control. EVA 2019: 360-367 - 2018
- [c29]Steffan Owens, Stuart Cunningham:
Auditory Masking and the Precedence Effect in Studies of Musical Timekeeping. Audio Mostly Conference 2018: 25:1-25:4 - [c28]Steven Nicholls, Stuart Cunningham, Richard Picking:
Collaborative Artificial Intelligence in Music Production. Audio Mostly Conference 2018: 33:1-33:4 - [c27]Stuart Cunningham, Jonathan Weinel, Richard Picking:
High-Level Analysis of Audio Features for Identifying Emotional Valence in Human Singing. Audio Mostly Conference 2018: 37:1-37:4 - [p2]Jonathan Weinel, Stuart Cunningham, Jennifer Pickles:
Deep Subjectivity and Empathy in Virtual Reality: A Case Study on the Autism TMI Virtual Reality Experience. New Directions in Third Wave Human-Computer Interaction (1) 2018: 183-203 - [e1]Stuart Cunningham, Richard Picking:
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, Wrexham, United Kingdom, September 12-14, 2018. ACM 2018, ISBN 978-1-4503-6609-0 [contents] - 2017
- [j3]Stuart Cunningham, Rae A. Earnshaw, Dan Berry, Peter S. Excell, Estelle Thompson:
Examples of the Impact of Collaboration in Creative and Technological Practices. Int. J. Art Cult. Des. Technol. 6(2): 55-79 (2017) - [c26]Steffan Owens, Stuart Cunningham:
More Cowbell: Measuring Beat Consistency With Respect To Tempo And Metronome Variations. Audio Mostly Conference 2017: 10:1-10:7 - [c25]Jonathan Weinel, Stuart Cunningham:
Simulating Auditory Hallucinations in a Video Game: Three Prototype Mechanisms. Audio Mostly Conference 2017: 18:1-18:7 - [c24]Steven Davies, Stuart Cunningham, Rich Picking:
A Comparison of Audio Models for Virtual Reality Video. CW 2017: 150-153 - 2016
- [c23]Stuart Cunningham, Jonathan Weinel:
The Sound of the Smell (and taste) of my Shoes too: Mapping the Senses using Emotion as a Medium. Audio Mostly Conference 2016: 28-33 - [c22]Darryl Griffiths, Stuart Cunningham, Jonathan Weinel:
An Interactive Music Playlist Generator that Responds to User Emotion and Context. EVA 2016 - [c21]Stuart Cunningham, Nigel Houlden, John N. Davies, Vic Grout, Richard Picking:
Investigating Environmental Causes of TCP Retransmission and Flags in Wireless Networks. INC 2016: 37-41 - 2015
- [c20]Steven Davies, Stuart Cunningham, Mike Wright:
Immersive RGB+D zoetropic projection for touchscreens and HMDs/wearables. CVMP 2015: 14:1-14:2 - [c19]Stuart Cunningham, Dan Berry, Rae A. Earnshaw, Peter S. Excell, Estelle Thompson:
Multi-disciplinary Creativity and Collaboration: Utilizing Crowd-Accelerated Innovation and the Internet. CW 2015: 271-277 - [c18]Frank Herrmann, Sandra P. Whiteside, Stuart Cunningham:
Bark and Hz scaled F2 locus equations: Sex differences and individual differences. ICPhS 2015 - 2014
- [j2]Stuart Cunningham, Vic Grout:
Data reduction of audio by exploiting musical repetition. Multim. Tools Appl. 72(3): 2299-2320 (2014) - [c17]Jonathan Weinel, Stuart Cunningham, Darryl Griffiths:
Sound through the rabbit hole: sound design based on reports of auditory hallucination. Audio Mostly Conference 2014: 3:1-3:8 - [c16]Stuart Cunningham, Jonathan Weinel, Darryl Griffiths:
ACERemix: a tool for glitch music remix production and performance. Audio Mostly Conference 2014: 7:1-7:7 - [c15]Jonathan Weinel, Stuart Cunningham, Nathan Roberts, Shaun Roberts, Darryl Griffiths:
EEG as a Controller for Psychedelic Visual Music in an Immersive Dome Environment. EVA 2014 - [c14]Jonathan Weinel, Darryl Griffiths, Stuart Cunningham:
Easter Eggs: Hidden Tracks and Messages in Musical Mediums. ICMC 2014 - [c13]Rob Stockton, Stuart Cunningham:
An Investigation into User Perceptions of Privacy and Trust and their Real-World Practices. INC 2014: 139-149 - 2013
- [c12]Stuart Cunningham, Jonathan Weinel, Shaun Roberts, Vic Grout, Darryl Griffiths:
Initial objective & subjective evaluation of a similarity-based audio compression technique. Audio Mostly Conference 2013: 1:1-1:6 - [c11]Darryl Griffiths, Stuart Cunningham, Jonathan Weinel:
A discussion of musical features for automatic music playlist generation using affective technologies. Audio Mostly Conference 2013: 13:1-13:4 - 2012
- [j1]Stuart Cunningham, Rich Picking:
Sounds Relaxing - Looks Cool: Audio and Visual Selections for Computer Systems that Support Wellness. Int. J. Ambient Comput. Intell. 4(1): 40-53 (2012) - [p1]Stuart Cunningham, Peter S. Excell:
e-Culture and m-Culture: The Way that Electronic, Computing and Mobile Devices are Changing the Nature of Art, Design and Culture. Expanding the Frontiers of Visual Analytics and Visualization 2012: 285-302 - 2011
- [c10]Thomas Grill, Arthur Flexer, Stuart Cunningham:
Identification of perceptual qualities in textural sounds using the repertory grid method. Audio Mostly Conference 2011: 67-74 - 2010
- [c9]Stuart Cunningham:
Applying personal construct psychology in sound design using a repertory grid. Audio Mostly Conference 2010: 8
2000 – 2009
- 2009
- [c8]Stuart Cunningham, Vic Grout, Bogdan V. Ghita:
A Sample of Consumer Wi-Fi Use & Security in the UK. CNSR 2009: 386-390 - 2008
- [c7]Vic Grout, Stuart Cunningham, Rich Hebblewhite:
An Illustrative Discussion of Different Perspectives in Network Engineering. INC 2008: 91-104 - [c6]Guillaume Chelius, Isaac Woungang, Stuart Cunningham:
Message from the STWiMob Workshop Organizing Technical Co-chairs. WiMob 2008 - 2006
- [c5]Vic Grout, Stuart Cunningham:
Complexity issues in control software design: A practical perspective. CAINE 2006: 167-174 - [c4]Vic Grout, Stuart Cunningham:
A constrained version of a clustering algorithm for switch placement and interconnection in large networks. CAINE 2006: 252-257 - 2005
- [c3]Stuart Cunningham, Vic Grout, Harry Bergen:
Mozart to Metallica: A Comparison of Musical Sequences and Similarities. CAINE 2005: 332-339 - [c2]Stuart Cunningham:
Waveform Analysis for High-Quality Loop-Based Audio Distribution. CATA 2005: 19-25 - 2004
- [c1]Vic Grout, Stuart Cunningham, Denise Oram, Rich Hebblewhite:
A note on the distribution of packet arrivals in high-speed data networks. ICWI 2004: 889-892
Coauthor Index
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last updated on 2024-12-09 23:08 CET by the dblp team
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