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2010 – 2019
- 2018
[j6]Joren Six
, Federica Bressan, Marc Leman:
A Case for Reproducibility in MIR: Replication of 'A Highly Robust Audio Fingerprinting System'. Trans. Int. Soc. Music. Inf. Retr. 1(1): 56-67 (2018)- [c7]Joren Six, Federica Bressan, Marc Leman:
Applications of Duplicate Detection in Music Archives: From Metadata Comparison to Storage Optimisation - The Case of the Belgian Royal Museum for Central Africa. IRCDL 2018: 101-113 - [p1]Federica Bressan:
A Philological Approach to Sound Preservation. Research Methods for the Digital Humanities 2018: 243-261 - 2017
- [j5]Tim Vets, Luc Nijs, Micheline Lesaffre, Bart Moens, Federica Bressan, Pieter Colpaert, Peter Lambert, Rik Van de Walle, Marc Leman:
Gamified music improvisation with BilliArT: a multimodal installation with balls. J. Multimodal User Interfaces 11(1): 25-38 (2017) - [j4]Carlo Fantozzi, Federica Bressan, Niccolò Pretto, Sergio Canazza:
Tape music archives: from preservation to access. Int. J. Digit. Libr. 18(3): 233-249 (2017) - [c6]Federica Bressan, Acatia Finbow, Tim Vets, Micheline Lesaffre, Marc Leman:
Between Artistic Creativity and Documentation: An Experiment on Interaction with an Installation for Music-Making. ArtsIT/DLI 2017: 3-12 - [c5]Federica Bressan, Joren Six, Marc Leman:
Applications of duplicate detection: linking meta-data and merging music archives: The experience of the IPEM historical archive of electronic music. DLfM 2017: 45-48 - 2016
- [c4]Federica Bressan, Sergio Canazza, Tim Vets, Marc Leman:
Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art. IRCDL 2016: 47-58 - 2014
- [j3]Federica Bressan, Sergio Canazza:
The challenge of preserving interactive sound art: a multi-level approach. Int. J. Arts Technol. 7(4): 294-315 (2014) - [c3]Federica Bressan, Sergio Canazza:
Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music. IRCDL 2014: 48-51 - 2013
- [j2]Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani:
The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. Adv. Multim. 2013: 276354:1-276354:14 (2013) - [j1]Federica Bressan, Sergio Canazza:
A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools. J. Electr. Comput. Eng. 2013: 489515:1-489515:21 (2013) - [c2]Federica Bressan, Sergio Canazza, Antonio Rodà:
Interactive Multimedia Installations: Towards a Model for Preservation. ArtsIT 2013: 81-88 - 2011
- [c1]Federica Bressan, Sergio Canazza:
Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona". MM4CH 2011: 103-113
Coauthor Index
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