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ORCID22nd NIME 2022
- 22nd International Conference on New Interfaces for Musical Expression, NIME 2022, online, June 28 - July 1, 2022. nime.org 2022
- Andrea Guidi
, Andrew McPherson:
Quantitative evaluation of aspects of embodiment in new digital musical instruments. - Brady Boettcher, Joseph W. Malloch, Johnty Wang, Marcelo M. Wanderley:
Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. - Anthony T. Marasco:
Approaching the Norns Shield as a Laptop Alternative for Democratizing Music Technology Ensembles. - Juan Mariano Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Pablo Ernesto Riera, Joaquín Rizza:
Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in Argentina. - Andrew R. Brown:
On Board Call: A Gestural Wildlife Imitation Machine. - Krzysztof Cybulski:
Post-digital sax - a digitally controlled acoustic single-reed woodwind instrument. - Lonce Wyse, Prashanth Thattai Ravikumar:
Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. - Jackson Goode, Stefano Fasciani:
A Toolkit for the Analysis of the NIME Proceedings Archive. - Timothy Tate:
The Concentric Sampler: A musical instrument from a repurposed floppy disk drive. - Takahiro Kamatani, Yoshinao Sato, Masato Fujino:
Ghost Play - A Violin-Playing Robot using Electromagnetic Linear Actuators. - Thor Magnusson, Chris Kiefer, Halldór Úlfarsson:
Reflexions upon Feedback. - Jiayue Cecilia Wu:
Today and Yesterday: Two Case Studies of China's NIME Community. - Seth D. Thorn, Byron Lahey:
Decolonizing the Violin with Active Shoulder Rests (ASRs). - Sam Bilbow:
Evaluating polaris~ - An Audiovisual Augmented Reality Experience Built on Open-Source Hardware and Software. - Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley:
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. - Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley:
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. - Rodney DuPlessis:
A virtual instrument for physics-based musical gesture: CHON. - Çagri Erdem, Benedikte Wallace, Alexander Refsum Jensenius:
CAVI: A Coadaptive Audiovisual Instrument-Composition. - Linnea Kirby, Paul Buser, Marcelo M. Wanderley:
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. - Yichen Wang, Charles Martin:
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. - Charlie Roberts, Ian Hattwick, Eric Sheffield, Gillian Smith:
Rethinking networked collaboration in the live coding environment Gibber. - Karitta Zellerbach, Charlie Roberts:
A Framework for the Design and Analysis of Mixed Reality Musical Instruments. - Anna Xambó, Visda Goudarzi:
The Mobile Audience as a Digital Musical Persona in Telematic Performance. - Laurel Pardue, S. M. Astrid Bin:
The Other Hegemony: Effects of software development culture on music software, and what we can do about it. - Juan Pablo Martinez-Avila, João Tragtenberg, Filipe Calegario, Ximena Alarcón, Laddy Patricia Cadavid Hinojosa, Isabela Corintha Almeida, Teodoro Dannemann, Javier Jaimovich, Adnan Marquez-Borbon, Martin Matus Lerner, Miguel Angel Ortiz Pérez, Juan Mariano Ramos, Hugo Solís García:
Being (A)part of NIME: Embracing Latin American Perspectives. - Zak Argabrite, Jim W. Murphy, Sally Jane Norman, Dale A. Carnegie:
Technology is Land: Strategies towards decolonisation of technology in artmaking. - Ivica Bukvic:
Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter. - Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, Arthur Paté:
Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments. - Florent Berthaut, Luke Dahl:
The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles. - Francesco Ardan Dal Rì, Raul Masu:
Exploring Musical Form: Digital Scores to Support Live Coding Practice. - Anil Çamci, John Granzow:
Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments. - Nick Warren, Anil Çamci:
Latent Drummer: A New Abstraction for Modular Sequencers. - Daniel Chin, Gus Xia:
A Computer-aided Multimodal Music Learning System with Curriculum: A Pilot Study. - Harri Renney, Silvin Willemsen, Benedict R. Gaster, Tom Mitchell:
HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis. - Victor Paredes, Jules Françoise, Frédéric Bevilacqua:
Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions. - Jean-Philippe Côté:
User-Friendly MIDI in the Web Browser. - Travis J. West:
Pitch Fingering Systems and the Search for Perfection. - Travis J. West, Kalun Leung:
early prototypes and artistic practice with the mubone. - Max Graf, Mathieu Barthet:
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. - Doga Cavdir:
Touch, Listen, (Re)Act: Co-designing Vibrotactile Wearable Instruments for Deaf and Hard of Hearing. - Lia Mice, Andrew McPherson:
The M in NIME: Motivic analysis and the case for a musicology of NIME performances. - Eevee Zayas-Garin, Andrew McPherson:
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. - Nicole Robson, Andrew McPherson, Nick Bryan-Kinns:
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. - Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson:
Exploring Experiences with New Musical Instruments through Micro-phenomenology. - Enrico Dorigatti, Raul Masu:
Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward. - Giacomo Lepri, John Bowers, Samantha Topley, Paul Stapleton, Peter Bennett, Kristina Andersen, Andrew McPherson:
The 10, 000 Instruments Workshop - (Im)practical Research for Critical Speculation. - Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson:
AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. - Beat Rossmy, Maximilian Rauh, Alexander Wiethoff:
Towards User Interface Guidelines for Musical Grid Interfaces. - Beat Rossmy:
Buttons, Sliders, and Keys - A Survey on Musical Grid Interface Standards. - Jack Armitage, Thor Magnusson, Victor Shepardson, Halldór Úlfarsson:
The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument. - Carla Sophie Tapparo, Victor Zappi:
Bodily Awareness Through NIMEs: Deautomatising Music Making Processes. - Laddy Patricia Cadavid Hinojosa:
Kanchay_Yupana\slash \slash: Tangible rhythm sequencer inspired by ancestral Andean technologies. - Georgios Diapoulis, Iannis Zannos, Kivanç Tatar, Palle Dahlstedt:
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. - Jianing Zheng, Nick Bryan-Kinns:
Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional Prototypes. - Rébecca Kleinberger, Nikhil Singh, Xiao Xiao, Akito van Troyer:
Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression. - Brady Boettcher, John Sullivan, Marcelo M. Wanderley:
Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice.
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