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ORCIDNIME 2010: Sydney, Australia
- 10th International Conference on New Interfaces for Musical Expression, NIME 2010, Sydney, Australia, June 15-18, 2010. nime.org 2010
- Owen Vallis, Jordan Hochenbaum, Ajay Kapur:
A Shift Towards Iterative and Open-Source Design for Musical Interfaces. 1-6 - Yutaro Maruyama, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto:
UnitInstrument: Easy Configurable Musical Instruments. 7-12 - Jos Mulder:
The Loudspeaker as Musical Instrument. 13-18 - Miha Ciglar:
An Ultrasound Based Instrument Generating Audible and Tactile Sound. 19-22 - Ted Hayes:
Neurohedron: A Nonlinear Sequencer Interface. 23-25 - Nobuyuki Umetani, Jun Mitani, Takeo Igarashi:
Designing Custom-made Metallophone with Concurrent Eigenanalysis. 26-30 - Sungkuk Chun, Andrew Hawryshkewich, Keechul Jung, Philippe Pasquier:
Freepad: A Custom Paper-based MIDI Interface. 31-36 - John A. Mills, Damien Di Fede, Nicolas Brix:
Music Programming in Minim. 37-42 - Thor Magnusson:
An Epistemic Dimension Space for Musical Devices. 43-46 - Ahmet Baki Kocaballi, Petra Gemeinboeck, Rob Saunders:
Investigating the Potential for Shared Agency using Enactive Interfaces. 47-50 - Noah Liebman, Michael Nagara, Jacek Spiewla, Erin Zolkosky:
Cuebert: A New Mixing Board Concept for Musical Theatre. 51-56 - Charles Roberts, Matthew Wright, JoAnn Kuchera-Morin, Lance Putnam:
Dynamic Interactivity Inside the AlloSphere. 57-62 - Florian Alt, Alireza Sahami Shirazi, Stefan Legien, Albrecht Schmidt, Julian Mennenöh:
Creating Meaningful Melodies from Text Messages. 63-68 - Tim Humphrey, Madeleine Flynn, Jesse Stevens:
Epi-thet: A Musical Performance Installation and a Choreography of Stillness. 69-71 - Tilo Hähnel:
From Mozart to MIDI: A Rule System for Expressive Articulation. 72-75 - Georg Essl, Alexander Müller:
Designing Mobile Musical Instruments and Environments with urMus. 76-81 - Jieun Oh, Jorge Herrera, Nicholas J. Bryan, Luke Dahl, Ge Wang:
Evolving The Mobile Phone Orchestra. 82-87 - Atau Tanaka:
Mapping Out Instruments, Affordances, and Mobiles. 88-93 - Robyn Taylor, Guy Schofield, John Shearer, Pierre Boulanger, Jayne Wallace, Patrick Olivier:
humanaquarium: A Participatory Performance System. 88-93 - Mark Havryliv:
Composing For Improvisation with Chaotic Oscillators. 94-99 - Andrew Hawryshkewich, Philippe Pasquier, Arne Eigenfeldt:
Beatback: A Real-time Interactive Percussion System for Rhythmic Practise and Exploration. 100-105 - Michael Gurevich, Paul Stapleton, Adnan Marquez-Borbon:
Style and Constraint in Electronic Musical Instruments. 106-111 - Hongchan Choi, Ge Wang:
LUSH: An Organic Eco + Music System. 112-115 - Tomoyuki Yamaguchi, Tsukasa Kobayashi, Anna Ariga, Shuji Hashimoto:
TwinkleBall: A Wireless Musical Interface for Embodied Sound Media. 116-119 - Joanne Cannon, Stuart Favilla:
Expression and Spatial Motion: Playable Ambisonics. 120-124 - Nick Collins:
Contrary Motion: An Oppositional Interactive Music System. 125-129 - Etienne Deleflie, Greg Schiemer:
Images as Spatial Sound Maps. 130-135 - Kevin Schlei:
Relationship-Based Instrument Mapping of Multi-Point Data Streams Using a Trackpad Interface. 136-139 - Lonce Wyse, Nguyen Dinh Duy:
Instrumentalizing Synthesis Models. 140-143 - Álvaro Cassinelli, Yusaku Kuribara, Alexis Zerroug, Masatoshi Ishikawa, Daito Manabe:
scoreLight: Playing with a Human-Sized Laser Pick-Up. 144-149 - Karl Yerkes, Greg Shear, Matthew Wright:
Disky: a DIY Rotational Interface with Inherent Dynamics. 150-155 - Jorge Solis, Klaus Petersen, Tetsuro Yamamoto, Masaki Takeuchi, Shimpei Ishikawa, Atsuo Takanishi, Kunimatsu Hashimoto:
Development of the Waseda Saxophonist Robot and Implementation of an Auditory Feedback Control. 156-161 - Ajay Kapur, Michael Darling:
A Pedagogical Paradigm for Musical Robotics. 162-165 - Ye Pan, Min-Gyu Kim, Kenji Suzuki:
A Robot Musician Interacting with a Human Partner through Initiative Exchange. 166-169 - Ivica Bukvic, Thomas Martin, Eric Standley, Michael Matthews:
Introducing L2Ork: Linux Laptop Orchestra. 170-173 - Nicholas J. Bryan, Jorge Herrera, Jieun Oh, Ge Wang:
MoMu: A Mobile Music Toolkit. 174-177 - Luke Dahl, Ge Wang:
Sound Bounce: Physical Metaphors in Designing Mobile Music Performance. 178-181 - Georg Essl, Michael Rohs, Sven G. Kratz:
Use the Force (or something) - Pressure and Pressure - Like Input for Mobile Music Performance. 182-185 - Roger Mills:
Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms. 186-191 - Florent Berthaut, Myriam Desainte-Catherine, Martin Hachet:
DRILE: An Immersive Environment for Hierarchical Live-Looping. 192-197 - Robin Fencott, Nick Bryan-Kinns:
Hey Man, You're Invading my Personal Space ! Privacy and Awareness in Collaborative Music. 198-203 - Charles Martin
, Benjamin Forster, Hanna Cormick:
Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD. 204-207 - Alexander Refsum Jensenius, Kjell Tore Innervik, Ivar Frounberg:
Evaluating the Subjective Effects of Microphone Placement on Glass Instruments. 208-211 - Rudolfo Quintas:
Glitch Delighter: Lighter's Flame Base Hyper-Instrument for Glitch Music in Burning The Sound Performance. 212-216 - Andrew P. McPherson, Youngmoo E. Kim:
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. 217-222 - Cesar M. Grossmann:
Developing a Hybrid Contrabass Recorder Resistances, Expression, Gestures and Rhetoric. 223-228 - Alfonso Pérez Carrillo, Jordi Bonada:
The Bowed Tube: a Virtual Violin. 229-232 - Jordan Hochenbaum, Ajay Kapur, Matthew Wright:
Multimodal Musician Recognition. 233-237 - Enric Guaus, Tan Hakan Özaslan, Eric Palacios, Josep Lluís Arcos:
A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors. 238-243 - Andrew Schmeder, Adrian Freed:
Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface. 244-249 - Jan C. Schacher:
Motion To Gesture To Sound: Mapping For Interactive Dance. 250-254 - Ian Whalley:
Generative Improv. & Interactive Music Project (GIIMP). 255-258 - Kristian Nymoen, Kyrre Glette, Ståle Andreas Skogstad, Jim Tørresen, Alexander Refsum Jensenius:
Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM Classifier. 259-262 - Takashi Baba, Mitsuyo Hashida, Haruhiro Katayose:
"VirtualPhilharmony": A Conducting System with Heuristics of Conducting an Orchestra. 263-270 - Tobias Großhauser, Ulf Großekathöfer, Thomas Hermann:
New Sensors and Pattern Recognition Techniques for String Instruments. 271-276 - Tilo Hähnel, Axel Berndt:
Expressive Articulation for Synthetic Music Performances. 277-282 - Andrew R. Brown:
Network Jamming: Distributed Performance using Generative Music. 283-286 - Ivar Frounberg, Kjell Tore Innervik, Alexander Refsum Jensenius:
Glass Instruments - From Pitch to Timbre. 287-290 - Chris Kiefer:
A Malleable Interface for Sonic Exploration. 291-296 - Victor Zappi, Andrea Brogni, Darwin G. Caldwell:
OSC Virtual Controller. 297-302 - Smilen Dimitrov:
Extending the Soundcard for Use with Generic DC Sensors Demonstrated by Revisiting a Vintage ISA Design. 303-308 - Sylvain Le Groux, Jônatas Manzolli, Paul F. M. J. Verschure:
Disembodied and Collaborative Musical Interaction in the Multimodal Brain Orchestra. 309-314 - Jordan Hochenbaum, Owen Vallis, Dimitri Diakopoulos, Jim W. Murphy, Ajay Kapur:
Designing Expressive Musical Interfaces for Tabletop Surfaces. 315-318 - Wendy Suiter:
Toward Algorithmic Composition of Expression in Music Using Fuzzy Logic. 319-322 - Kirsty A. Beilharz, Andrew Vande Moere, Barbara Stiel, Claudia A. Calò, Martin Tomitsch, Adrian Lombard:
Expressive Wearable Sonification and Visualisation: Design and Evaluation of a Flexible Display. 323-326 - Jeremiah Nugroho, Kirsty A. Beilharz:
Understanding and Evaluating User Centred Design in Wearable Expressions. 327-330 - Sihwa Park, Seunghun Kim, Samuel Lee, Woon Seung Yeo:
Online Map Interface for Creative and Interactive. 331-334 - Aristotelis Hadjakos, Max Mühlhäuser:
Analysis of Piano Playing Movements Spanning Multiple Touches. 335-338 - Sebastian Heinz, Sile O'Modhrain:
Designing a Shareable Musical TUI. 339-342 - Adrian Freed:
Visualizations and Interaction Strategies for Hybridization Interfaces. 343-347 - Björn Wöldecke, Christian Geiger, Holger Reckter, Florian Schulz:
ANTracks 2.0 - Generative Music on Multiple Multitouch Devices Categories and Subject Descriptors. 348-351 - Laewoo Kang, Hsin-Yi Chien:
Hé: Calligraphy as a Musical Interface. 352-355 - Martin Marier:
The Sponge A Flexible Interface. 356-359 - Lawrence Fyfe, Sean Lynch, Carmen Hull, Sheelagh Carpendale:
SurfaceMusic: Mapping Virtual Touch-based Instruments to Physical Models. 360-363 - Aengus Martin, Sam Ferguson, Kirsty A. Beilharz:
Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control. 364-367 - Jim Tørresen, Eirik Renton, Alexander Refsum Jensenius:
Wireless Sensor Data Collection based on ZigBee Communication. 368-371 - Javier Jaimovich, Benjamin Knapp:
Synchronization of Multimodal Recordings for Musical Performance Research. 372-374 - Giuseppe Torre, Mark O'Leary, Brian Tuohy:
POLLEN A Multimedia Interactive Network Installation. 375-376 - Xiaoyang Feng:
Irregular Incurve. 377-379 - Chikashi Miyama:
Peacock: A Non-Haptic 3D Performance Interface. 380-382 - Jukka Holm, Harri Holm, Jarno Seppänen:
Associating Emoticons with Musical Genres. 383-386 - Yoichi Nagashima:
Untouchable Instrument "Peller-Min". 387-390 - Javier Jaimovich:
Ground Me ! An Interactive Sound Art Installation. 391-394 - Norma Saiph Savage, Syed R. Ali, Norma Elva Chávez:
Mmmmm: A Multi-modal Mobile Music Mixer. 395-398 - Chih-Chieh Tsai, Cha-Lin Liu, Teng-Wen Chang:
An Interactive Responsive Skin for Music. 399-402 - Nick Bryan-Kinns, Robin Fencott, Oussama Metatla, Shahin Nabavian, Jennifer G. Sheridan:
Interactional Sound and Music: Listening to CSCW, Sonification, and Sound Art. 403-406 - Ståle Andreas Skogstad, Alexander Refsum Jensenius, Kristian Nymoen:
Using IR Optical Marker Based Motion Capture for Exploring Musical Interaction. 407-410 - Benjamin Buch, Pieter Coussement, Lüder Schmidt:
"playing robot": An Interactive Sound Installation in Human-Robot Interaction Design for New Media Art. 411-414 - Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, Todor Todoroff:
Multimodal Guitar: A Toolbox For Augmented Guitar Performances. 415-418 - Michael Berger:
The GRIP MAESTRO: Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music. 419-422 - Kimberlee Headlee, Tatyana Koziupa, Diana Siwiak:
Sonic Virtual Reality Game: How Does Your Body Sound ? 423-426 - Alex Stahl, Patricia Clemens:
Auditory Masquing: Wearable Sound Systems for Diegetic Character Voices. 427-430 - Paul Rothman:
The Ghost: An Open-Source, User Programmable MIDI Performance Controller. 431-435 - Garth Paine:
Towards a Taxonomy of Realtime Interfaces for Electronic Music Performance. 436-439 - Hyun-Soo Kim, Je-Han Yoon, Moon-Sik Jung:
Interactive Music Studio: The Soloist. 444-446 - Pierre Alexandre Tremblay, Diemo Schwarz:
Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. 447-450 - A. Cavan Fyans, Michael Gurevich, Paul Stapleton:
Examining the Spectator Experience. 451-454 - Nick Collins, Chris Kiefer, Zeeshan Patoli, Martin White:
Musical Exoskeletons: Experiments with a Motion Capture Suit. 455-458 - Jim W. Murphy, Ajay Kapur, Carl Burgin:
The Helio: A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical Interfaces. 459-462 - Stuart Taylor, Jonathan Hook:
FerroSynth: A Ferromagnetic Music Interface. 463-466 - Josh Dubrau, Mark Havryliv:
P[a]ra[pra]xis: Towards Genuine Realtime 'Audiopoetry'. 467-468 - Kris Makoto Kitani, Hideki Koike:
ImprovGenerator: Online Grammatical Induction for On-the-Fly Improvisation Accompaniment. 469-472 - Christian Frisson, Benoît Macq, Stéphane Dupont, Xavier Siebert, Damien Tardieu, Thierry Dutoit:
DeviceCycle: Rapid and Reusable Prototyping of Gestural Interfaces, Applied to Audio Browsing by Similarity. 473-476 - Alexander Müller, Fabian Hemmert, Götz Wintergerst, Ron Jagodzinski:
Reflective Haptics: Resistive Force Feedback for Musical Performances with Stylus-Controlled Instruments. 477-478 - Alison Mattek, Mark Freeman, Eric Humphrey:
Revisiting Cagean Composition Methodology with a Modern Computational Implementation. 479-480 - Sam Ferguson, Emery Schubert, Catherine J. Stevens:
Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response. 481-484 - Teemu Ahmaniemi:
Gesture Controlled Virtual Instrument with Dynamic Vibrotactile Feedback. 485-488 - Jeffrey Hass:
Creating Integrated Music and Video for Dance: Lessons Learned and Lessons Ignored. 489-492 - Warren Burt:
Packages for ArtWonk: New Mathematical Tools for Composers. 493-496 - Jace Miller, Tracy Hammond:
Wiiolin: a Virtual Instrument Using the Wii Remote. 497-500 - Max Meier, Max Schranner:
The Planets. 501-504
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