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ORCID42nd ICMC 2016: Utrecht, The Netherlands
- Proceedings of the 2016 International Computer Music Conference, ICMC 2016, Utrecht, The Netherlands, September 12-16, 2016. Michigan Publishing 2016
- Giacomo Lepri:
InMuSIC: an Interactive Multimodal System for Electroacoustic Improvisation. - Falk Morawitz:
Molecular Sonification of Nuclear Magnetic Resonance Data as a Novel Tool for Sound Creation. - Ronald K. Mo, Bin Wu, Andrew Horner:
The Effects of Reverberation Time and Amount on the Emotional Characteristics. - Juan Li, Yinrui Wang, Xinyu Yang:
General Characteristics Analysis of Chinese Folk Songs based on Layered Stabilities Detection(LSD) Audio Segmentation Algorithm. - Peter Pabon, So Oishi:
Additive Synthesis with Band-Limited Oscillator Sections. - Javier Alejandro Garavaglia:
Granular Spatialisation, a new method for sound diffusion in high-density arrays of speakers and its application at the Spatial Audio Workshops residency at Virginia Tech (August 2015) for the composition of the acousmatic piece Spatial Grains - Soundscape No 1, for 138 speakers. - Juan Carlos Vasquez, Koray Tahiroglu, Johan Kildal:
Motivic Through-Composition Applied to a Network of Intelligent Agents. - Philip Wigham, Carola Boehm:
Exploiting Mimetic Theory for Instrument Design. - Sonya Hofer:
Viewing the Wrong Side of the Screen in Experimental Electronica Performances. - Ritwik Banerji:
Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser. - Yoichi Nagashima:
Bio-Sensing and Bio-Feedback Instruments - DoubleMyo, MuseOSC and MRTI2015 -. - Christoph Theiler, Renate Pittroff:
Fluid control - Media Evolution in water. - Benjamin D. Smith:
Electro Contra: Innovation for Tradition. - Morgan Jenks:
LR.step, an Algorithmic Drum Sequencer. - Augoustinos Tsiros, Grégory Leplâtre:
Evaluation of a Sketching Interface to control a concatenative synthesiser. - Ulrike Mayer-Spohn, Keitaro Takahashi:
Recorderology - development of a web based instrumentation tool concerning recorder instruments. - D. Andrew Stewart:
Karlax Performance Techniques: It Feels Like... - Carola Boehm:
Music Industry, Academia and the Public). - Riccardo Wanke:
A cross-genres (ec)static perspective on contemporary experimental music. - Anil Çamci, Vincent Meelberg:
Diegetic Affordances and Affect in Electronic Music. - Hyeongseok Wi, Kyung Hoon Hyun, Jongpil Lee, Wonjae Lee:
The Effect of DJs' Social Network on Music Popularity. - Vesa Norilo:
Kronos Meta-Sequencer - From Ugens to Orchestra, Score and Beyond. - Thibaut Carpentier:
Panoramix: 3D mixing and post-production workstation. - Stuart James:
Multi-Point Nonlinear Spatial Distribution of Effects across the Soundfield. - Frédéric Dufeu:
A Permissive Graphical Patcher for SuperCollider Synths. - Aaron Einbond, Diemo Schwarz, Riccardo Borghesi, Norbert Schnell:
Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm. - Arthur Wagenaar:
workshop SMARTER MUSIC. - Jonathon Kirk, Lee Weisert:
Granular Wall: Approaches to sonifying fluid motion. - Tom Erbe:
The Computer Realization of John Cage's Williams Mix. - Andrea Salgian, David Vickerman:
Computer-Based Tutoring for Conducting Students. - Oliver Hancock:
a Band is Born: a digital learning game for Max/MSP. - David Johnson, Isabelle Dufour, Daniela E. Damian, George Tzanetakis:
Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring. - Daniel Scanteianu, Errick Jackson, Robert M. Keller:
A Fluid Chord Voicing Generator. - Richard Hoadley:
How To Play the Piano. - Stefano Kalonaris:
Markov Networks for Free Improvisers. - Matías Zabaljáuregui, Diego Dorado:
Opensemble: A framework for collaborative algorithmic music. - Adrien L' Honoré Naber:
Designing a Digital Gamelan. - Edward Kelly:
Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular Waveforms. - Richard Dudas, Pete Furniss:
Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic Music. - Eva Sjuve:
Noise in the Clouds. - Frank Zalkow, Stephan Brand, Bejamin Graf:
Musical Style Modification as an Optimization Problem. - Andreas Henrici, Martin Neukom:
Synchronization of van der Pol Oscillators with Delayed Coupling. - Michael Clarke, Frédéric Dufeu, Peter D. Manning:
Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning's Stria, a case study from the TaCEM project. - Daniele Ghisi, Mattia Bergomi:
Concatenative synthesis via Chord-based Segmentation for an Experiment with Time. - Muhammad Hafiz Wan Rosli, Curtis Roads:
Spatiotemporal Granulation. - Tae Hong Park, Sumanth Srinivasan:
The Sound Analysis Toolbox (SATB). - Jaime Reis:
Short overview in parametric loudspeakers array technology and its implications in spatialization in electronic. - Chris Donahue, Tom Erbe, Miller S. Puckette:
Extended Convolution Techniques for Cross-Synthesis. - Trevor Baca, Jeffrey Treviño, Josiah Oberholtzer:
Algorithmic Composition in Abjad: Workshop Proposal for ICMC 2016. - Curtis Roads, Andrés Cabrera, JoAnn Kuchera-Morin, Clarence Barlow:
CREATE Studio Report 2016. - Andreas Weixler, Se-Lien Chuang:
Computer Music Studio and Sonic Lab at Anton Bruckner University Studio Report. - Christopher J. Keyes, Christopher Coleman, Vanissa L. A. W. Wing Lun:
Design Considerations of HKBU's Laboratory for Immersive Arts and Technology: a Studio Report. - Hannah Bosma:
Computer Music as Born-Digital Heritage. - Serge Lemouton:
Computer Music Interpretation in Practice. - Jeremy C. Baguyos:
New Roles for Computer Musicians in S.T.E.A.M. - Kevin Schlei, Rebecca Yoshikane:
The Things of Shapes: Waveform Generation using 3D Vertex Data. - Felipe Otondo, Rodrigo Torres:
Sound vest for dance performance. - Hanlin Hu, David Gerhard:
WebHexIso: A CustomizableWeb-based Hexagonal Isomorphic Musical Keyboard Interface. - Daniel McNamara, Ajay Kapur:
Roulette: A Customized Circular Sequencer for Generative Music. - Jan-Torsten Milde:
MusicBox: creating a musical space with mobile devices. - David Kim-Boyle:
Frequency Domain Spatial Mapping with the LEAP Motion Controller. - Chikashi Miyama, Götz Dipper, Ludger Brümmer:
Zirkonium 3.1 - a toolkit for spatial composition and performance. - Natasha Barrett:
A 3D Future for Loudspeaker Orchestras Emulated in Higher-Order Ambisonics. - Martin Ritter, Alyssa Aska:
Extending the Piano through Spatial Transformation of Motion Capture Data. - Alyssa Aska, Martin Ritter:
Approaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion Capture. - Benjamin D. Smith, Robin Cox:
Big Tent: A Portable Immersive Intermedia Environment. - Rob Hamilton, Chris Platz:
Gesture-based Collaborative Virtual Reality Performance in Carillon. - Zachary Berkowitz, Edgar Berdahl, Stephen David Beck:
Emphasizing Form in Virtual Reality-Based Music Performance. - Corentin Louboutin, Frédéric Bimbot:
Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast Model. - Tom Arjannikov, John Z. Zhang:
Do Nested Dichotomies Help in Automatic Music Genre Classification? An Empirical Study. - Hsin-Ming Lin, Shlomo Dubnov:
Algorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch Contour. - Peter Knees, Kristina Andersen, Sergi Jordà, Michael Hlatky, Andrés Bucci, Wulf Gaebele, Roman Kaurson:
The GiantSteps Project: A Second-Year Intermediate Report. - Adrien Ycart, Florent Jacquemard, Jean Bresson, Slawek Staworko:
A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration. - Jean-Michaël Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier:
Graphical Temporal Structured Programming for Interactive Music. - David M. Hofmann:
Introducing a Context-based Model and Language for Representation, Transformation, Visualization, Analysis and Generation of Music. - Lauren Hayes:
Sound, Electronics and Music: an evaluation of early embodied education. - Miriam Akkermann:
Performing Computer Network Music. Well-known challenges and new possibilities. - Chuck-jee Chau, Andrew Horner:
The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet Hardness. - Samuel J. M. Gilburt, Chuck-jee Chau, Andrew Horner:
The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String Instruments. - Ronald K. Mo, Ga Lam Choi, Chung Lee, Andrew Horner:
The Effects of MP3 Compression on Emotional Characteristics. - Sever Tipei:
Composition as an Evolving Entity an Experiment in progress. - Bret Battey:
Nodewebba: Software for Composing with Networked Iterated Maps. - Neal Andersen, Benjamin D. Smith:
Relative Sound Localization for Sources in a Haphazard Speaker Array. - Steven Leffue, Grady Kestler:
AIIS: An Intelligent Improvisational System. - Sean Peuquet, David Jones:
RackFX: A Cloud-Based Solution for Analog Signal Processing. - Kristina Warren:
Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data. - Otso Lähdeoja:
Composing for an Orchestra of Sonic Objects: The Shake-ousmonium Project. - Axel Berndt, Simon Waloschek, Aristotelis Hadjakos:
Hand Gestures in Music Production. - Hugo Scurto, Rebecca Fiebrink:
Grab-and-Play Mapping: Creative Machine Learning Approaches for Musical Inclusion and Exploration. - Charles Bascou, Valentin Emiya, Mathieu Laurière:
The problem of musical gesture continuation and a baseline system. - Laurens van der Wee MMus, Roel van Doorn MA, Jos Zwaanenburg:
Reconstructing AnthèMES 2: Addressing the Performability of Live-Electronic Music. - Joseph Tilbian, Andrés Cabrera:
Stride: A Declarative and Reactive Language for Sound Synthesis and Beyond. - Pierre Donat-Bouillud, Jean-Louis Giavitto, Arshia Cont, Nicolas Schmidt, Yann Orlarey:
Embedding native audio-processing in a score following system with quasi sample accuracy. - Kyungho Lee, Michael J. Junokas, Guy E. Garnett:
A Review of Interactive Conducting Systems: 1970-2015. - Roger B. Dannenberg, Zhang Chi:
O2: Rethinking Open Sound Control. - Ivica Ico Bukvic:
Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays. - Akinori Ito, Kengo Watanabe, Genki Kuroda, Ken'ichiro Ito:
Improvements of iSuperColliderKit and its Applications. - Christopher Coleman:
The Sky's the Limit: Composition with Massive Replication and Time-shifting. - David Su:
SCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and Analysis. - Diemo Schwarz, Guillaume Lemaitre, Mitsuko Aramaki, Richard Kronland-Martinet:
Effects of Test Duration in Subjective Listening Tests. - Alex Chechile:
The Ear Tone Toolbox for Auditory Distortion Product Synthesis. - Chad McKell:
Sonification of Optically-Ordered Brownian Motion. - Daren Pickles, Adam Collis:
Cybernetic Principles and Sonic Ecosystems. - Christoph Hohnerlein, Maximilian Rest, Julius O. Smith III:
Continuous Order PolygonalWaveform Synthesis. - Christopher Jette, Nathan Krueger:
Textual and Sonic Feedback Loops: Simultaneous conversations as a collaborative process in cmetq. - Lindsay Vickery, Stuart James:
Tectonic: a Networked, Generative and Interactive, Conducting Environment for iPad. - Luwei Yang, Khalid Z. Rajab, Elaine Chew:
AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis. - Alo Allik:
Spectrorhythmic evolutions: towards semantically enhanced algorave systems. - B. A. Jacobs:
A Differential Equation Based Approach to Sound Synthesis and Sequencing. - Rongfeng Liu, Xinyun Zhang, Minghui Bi:
Music Poet: A Performance-Driven Composing System. - Alexandra Kurepa, Rodney Waschka II:
Multiple Single-Dimension Mappings of the Henon Attractor as a Compositional Algorithm. - Artemi-Maria Gioti:
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy. - Anil Çamci, Paul Murray, Angus G. Forbes:
A Web-based System for Designing Interactive Virtual Soundscapes. - Jeyong Jung, Peter Pabon, Graham Flett:
The Paradox of Random Order. - Daniele Ghisi, Andrea Agostini, Eric Maestri:
Recreating Gerard Grisey's Vortex Temporum with cage. - Todd Harrop, Nora-Louise Muller:
Composing in Bohlen-Pierce and Carlos Alpha scales for solo clarinet.
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