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ORCID24th ICMC 1998: Ann Arbor, Michigan, USA
- Proceedings of the 1998 International Computer Music Conference, ICMC 1998, Ann Arbor, Michigan, USA, October 1-6, 1998. Michigan Publishing 1998
- Amar Chaudhary, Adrian Freed, Sami Khoury, David Wessel:
A 3D Graphical User Interface for Resonance Modeling. - Rafael A. Irizarry:
The Additive Sinusoidal Plus Residual Model: A Statistical Analysis. - Elizabeth Hoffman:
Animated Scores for Electro-acoustic Tape/Live Performer Compositions. - Angelo Bello:
An Application of Interactive Computation and the Concrete Situated Approach to Real-time Composition and Performance. - Masataka Goto, Yoichi Muraoka:
An Audio-based Real-time Beat Tracking System and Its Applications. - Wolfgang Chico-Töpfer:
Ava: An Experimental, Grammar/Case-based Composition System to Variate Music Automatically Through the Generation of Scheme Series. - Yoichi Nagashima:
Biosensorfusion: New Interfaces for Interactive Multimedia Art. - Mark A. Bromwich, Julie A. Wilson:
'Bodycoder': A Sensor Suit and Vocal Performance Mechanism for Real-time Performance. - Fernando Lopez-Lezcano:
CCRMA Studio Report. - Richard Andrews:
Center for New Music & Audio Technologies: Studio Report. - Martin Alejandro Fumarola:
Change and Permanence in Latin American Electroacoustic and Computer Music: A Compositional Approach. - Adrian Freed, David Wessel:
Communication of Musical Gesture using the AES/EBU Digital Audio Standard. - Matthew Malsky:
A Composer's Amanuensis for the Web. - Jonathan Berger, Dan Gang:
A Computational Model of Meter Cognition During the Audition of Functional Tonal Music: Modeling A-Priori Bbias in Meter Cognition. - McGregor Boyle, Ichiro Fujinaga, Geoffrey Wright:
The Computermusic Department at the Peabody Conservatory of the Johns Hopkins University. - Teresa Marrin, Rosalind W. Picard:
The "Conductor's Jacket": A Device for Recording Expressive Musical Gestures. - James McCartney:
Continued Evolution of the SuperCollider Real Time Synthesis Environment. - Nicola Orio, Carlo De Pirro:
Controlled Refractions: A Two-Levels Coding of Musical Gestures for Interactive Live Performances. - Joachim Stange-Elbe, Guerino Mazzola:
"Cooking a Canon with RUBATO®": Performance Aspects of J.S. Bach's "Kunst der Fuge". - Bernd Schöner, Chuck Cooper, Chris Douglas, Neil Gershenfeld:
Data-driven Modeling and Synthesis of Acoustical Instruments. - Ioannis Zannos:
Designing an Audio Interaction Modeling Language: Some Basic Concepts and Techniques. - Atsuo Takanishi, Manabu Maeda:
Development of an Anthropomorphic Flutist Robot WF-3RIV. - Wayne Siegel:
Diem: Studio Report. - Damián Keller, Barry Truax:
Ecologically-based Granular Synthesis. - Juan Reyes:
Education with Computer Music in Colombia. - Lorin Grubb, Roger B. Dannenberg:
Enhanced Vocal Performance Tracking Using Multiple Information Sources. - Timothy Stilson, Harvey D. Thornburg:
Examples of Using Amplitude Control Systems in Music Synthesis. - David Gamper, Pauline Oliveros:
The Expanded instrument System: Recent Developments. - David Zicarelli:
An Extensible Real-time Signal Processing Environment for Max. - Stéphane Rossignol, Xavier Rodet, Joël Soumagne, Jean-Louis Collete, Philippe Depalle:
Features extraction and temporal segmentation of acoustic signals. - Dale Millen:
The First Buchla 300 Series Electronic Music Box. - Michael Hamman:
>From Symbol to Semiotic: Computation as Interaction. - Elizabeth Hinkle-Turner:
Full Circle: Composing a Cathartic Experience with Digital Technology. - Holger H. Hoos, Keith Hamel, Kai Renz, Jürgen Kilian:
The GUIDO Notation Format: A Novel Approach for Adequately Representing Score-Level Music. - Kai Renz, Holger H. Hoos:
An HTTP Interface to Salieri. - Matthew Wright:
Implementation and Performance Issues with OpenSound Control. - Timothy Stilson, Scott A. Van Duyne:
Implementing Efficient Frequency Variation in Coupled-Mode Synthesis and Other Cosine-Frequency Systems. - Matthew Wright, David Wessel:
An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns. - Stephan Tassart:
Infinite length windows for short-time Fourier transform. - John A. Biles:
Interactive GenJam: Integrating Real-time Performance with a Genetic Algorithm. - Roger B. Dannenberg:
Interpolation Error in Waveform Table Lookup. - François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
jMax: A New JAVA-based Editing and Control System for Real-time Musical Applications. - François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
jMax: Demonstration of an Integrated Environment for Real Time Musical Applications. - Phil Burk:
JSyn - A Real-time Synthesis API for Java. - François Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell:
Latest Evolutions of the jMax Real-time Engine: Typing, Scoping, Threading, Compiling. - Niall Griffith, Mikael Fernström:
LiteFoot - A Floor Space for Recording Dance and Controlling Media. - Eli Brandt, Roger B. Dannenberg:
Low-latency Music Software Using Off-the-shelf Operating Systems. - Ichiro Fujinaga:
Machine recognition of timbre using steady-state tone of acoustic musical instruments. - Hans G. Kaper, Sever Tipei:
Manifold Compositions, Music Visualization, and Scientific Sonification In an Immersive Virtual-reality Environment. - Sergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin:
A Model To Add Expressiveness To Automatic Musical Performance. - Todd Winkler:
Motion-sensing Music: Artistic and Technical Challenges In Two Works For Dance. - Satoshi Usa, Yasunori Mochida:
A Multi-modal Conducting Simulator. - Michael Gogins:
Music Graphs For Algorithmic Composition and Synthesis With an Extensible Implementation in JAVA. - Adrian Freed, Amar Chaudhary:
Music Programming with the new Features of Standard C++. - Peter J. Raschke:
Music Technology As a Tool For Exploring the Creative Aspects of Music. - Kjell Lemström, Pauli Laine:
Musical Information Retrieval Using Musical Parameters. - Karst de Jong, Carola Boehm:
MusicWeb Den Haag - Developing New Tools For Higher Music Education, Using Wide-Area Networks and Hypermedia Technology. - Perry R. Cook, Dan Trueman:
NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses. - Matthew Wright, Amar Chaudhary, Adrian Freed, David Wessel, Xavier Rodet, Dominique Virolle, Rolf Wöhrmann, Xavier Serra:
New Applications of the Sound Description Interchange Format. - Giorgio Nottoli, Mario Salerno, Giovanni Costantini:
A New Interactive Performance System for Real-time Sound Synthesis. - Keith Hamel:
NoteAbility - A Comprehensive Music Notation Editor. - Richard Dudas:
NVM - A Modular Real-time Physical Modelling Synthesis System for MSP. - Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda:
Objects, Time and Constraints in OpenMusic. - Harry D. Castle, Scott Walton:
On Convincing Human/Machine Improvisation. - Amar Chaudhary, Adrian Freed, Lawrence A. Rowe:
OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral Resources. - Haruhiro Katayose, Shigeyuki Hirai, Tsutomu Kanamori, Hirokazu Kato, Seiji Inokuchi:
Physiological Measurement of Performers' Tension and its Utilization for Media Control. - Satoshi Nishimura:
PMML: A Music Description Language Supporting Algorithmic Representation of Musical Expression. - David Wessel, Matthew Wright, Shafqat Ali Khan:
Preparation for Improvised Performance in Collaboration with a Khyal Singer. - Erik Gottesman:
The Psycho-adaptive Listening Machine: An Application of Perceptual Control Theory to Computer Music. - Miller S. Puckette, Theodore Apel, David Zicarelli:
Real-time audio analysis tools for Pd and MSP. - Camille Goudeseune, Michael Hamman:
A Real-Time Audio Scheduler for Pentium PCs. - Robert Höldrich, Markus Lorber:
Real-time Broadband Noise Reduction. - Zack Settel, Cort Lippe:
Real-time Frequency-Domain Digital Signal Processing on the Desktop. - Yushi Aono, Haruhiro Katayose, Seiji Inokuchi:
A Real-time Session Composer with Acoustic Polyphonic Instruments. - Jean-Loup Florens, Claude Cadoz, Annie Luciani:
A Real-time Workstation for Physical Model of Multi-sensorial and Gesturally Controlled Instrument. - Duane K. Wise:
The Recursive Allpass as a Resonance Filter. - David Wessel, Cyril Drame, Matthew Wright:
Removing the Time Axis from Spectral Model Analysis-Based Additive Synthesis: Neural Networks versus Memory-Based Machine Learning. - Martin Alejandro Fumarola:
Report of the COMDASUAR: A Significant and Unknown Chilean Contribution in the History of Computer Music. - Stéphane Letz, Dominique Fober, Yann Orlarey:
The Role of Lambda-Abstraction in Elody. - Holger H. Hoos, Jürgen Kilian, Kai Renz, Thomas Helbich:
SALIERI: A General, Interactive Computer Music System. - Eric D. Scheirer:
SAOL: The MPEG-4 Structured Audio Orchestra Language. - John Lawter, Barry Moon:
Score Following in Open Form Compositions. - Insook Choi, Alex Betts:
ScoreGraph: dynamically activated connectivity among parallel processes for interactive computer music performance. - James R. Lendino:
Scoring for the Modern Computer Game. - Brad Garton, Matthew Suttor:
A Sense of Style. - Vesa Välimäki, Tero Tolonen, Matti Karjalainen:
Signal-dependent Nonlinearities for Physical Models Using Time-varying Fractional Delay Filters. - Federico Fontana, Davide Rocchesso:
Signal-theoretic Characterization of Wavelength Mesh Geometries for Membrane Simulation. - Shigeyuki Hirai, Haruhiro Katayose, Tsutomu Kanamori, Seiji Inokuchi:
Software Sensors for Interactive Digital Art. - Ken-ichi Ohya:
Sound Variations by Recurrent Neural Network Synthesis. - Mara Helmuth:
StochGran on Silicon Graphic IRIX. - David Cooper, Kia Ng:
Studio Report of the University of Leeds Department of Music. - Roger B. Dannenberg, Hank Pellerin, Istvan Derenyi:
A Study of Trumpet Envelopes. - Francesco Scalcon, Davide Rocchesso, Gianpaolo Borin:
Subjective Evaluation of the Inharmonicity of Synthetic Piano Tones. - Tang-Chun Li:
Substructure Discovery of Symbolic Musical Information using the Minimum Description Length Principle. - Istvan Derenyi, Roger B. Dannenberg:
Synthesizing Trumpet Performances. - Leonello Tarabella:
A system for recognizing shape, position and rotation of the hands. - Neil B. Rolnick:
Teaching More Students: Rethinking Studios & Classrooms at Rensselaer's iEAR Studios. - Richard Boulanger, John ffitch:
Teaching Software Synthesis Through Csound's New Modelling Opcodes. - Riccardo Bianchini, Alessandro Cipriani:
Three levels of education in Electroacoustic Music: The Virtual Sound Project. - Shlomo Dubnov, Xavier Rodet:
Timbre Recognition with Combined Stationary and Temporal Features. - Carlo Drioli, Riccardo Di Federico:
Toward and Integrated Sound Analysis and Processing Framework for Expressiveness Rendering. - Dan Gang, Daniel Lehmann, Naftali Wagner:
Tuning a Neural Network for Harmonizing Melodies in Real-Time. - Shlomo Dubnov, Gérard Assayag, Ran El-Yaniv:
Universal Classification Applied to Musical Sequences. - Kenji Yasaka:
Using Csound as a Sound Engine for Interactive WWW Content. - Gabriel Maldonado:
Using Real-time Csound MIDI With Windows. - Seionshin Yamagishi, Kohji Setoh:
"Variations for WWW": Network Music by MAX and the WWW. - Karen Eliot-Kahn:
Voice and Speech in Computer Music Composition. - Kai Renz, Holger H. Hoos:
A WEB-based Approach to Music Notation using GUIDO. - Tomonari Sonoda, Masataka Goto, Yoichi Muraoka:
A WWW-based Melody Retrieval System.
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