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ORCID17th ICMC 1991: Montreal, Quebec, Canada
- Proceedings of the 1991 International Computer Music Conference, ICMC 1991, Montreal, Quebec, Canada, October 16-20, 1991. Michigan Publishing 1991
- Julius O. Smith III:
Viewpoints on the History of Digital Synthesis. - Jean-Baptiste Barrière, Francisco Iovino, Mikael Laurson:
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK. - Phil Burk:
The Integration of Real-Time Synthesis into HMSL, the Hierarchical Music Specification Language. - Joseph Derek Morrison:
Control Mechanisms into the MOSAIC Synthesis Program. - James Dashow:
MUSIC30 - SCORE30. - Antonio Camurri, Corrado Canepa, Marcello Frixione, Carlo Innocenti, Claudio Massucco, Renato Zaccaria:
A High-Level System for Music Composition. - Larry Polansky:
Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91. - William F. Punch III, Mark Sullivan, Robert Koehler:
An Algorithmic Approach to Composition based on Dynamic Hierarchical Assembly. - Alexander R. Brinkman, Martha R. Mesiti:
Computer-Graphic Tools for Music Analysis. - Sevan G. Ficici:
Computer Analysis of Surface Details in Tonal Music. - Chi Ping Tsang, M. Aitken:
Harmonizing Music as a Discipline in Constraint Logic Programming. - John Joy:
Automated Linguistic Analysis of Musical Compositions. - Ichiro Fujinaga, Bo Alphonce, Bruce W. Pennycook, Kharim Hogan:
Optical Music Recognition: Progress Report. - Simon Emmerson:
Studio Report: Electroacoustic and Computer Studio at City University, London. - Leonello Tarabella, Graziano Bertini:
Studio Report: Computer Music Dept of CNUCE/CNR, Pisa, Italy. - Hugues Vinet, Daniel Teruggi:
GRM Report. - Daniel P. W. Ellis, Barry Vercoe:
A Wavelet Based Sinusoid Model of Sound for Auditory Signal Separation. - David K. Mellinger, Bernard Mont-Reynaud:
Sound Explorer: A Workbench for Investigating Source Separation. - Massimo Dal Sasso, Giovanni B. Debiassi, Giovanni Spagiari:
Method for Automatic Evaluation of Timbre and Fluctuation of Pipe Organ Sounds. - Gregory J. Sandell:
A Library of Orchestral Instrument Spectra. - Peter Lundén:
Sound-Models: The Representation of Knowledge about Sound-Synthesis in the CPL Environment. - Anna I. Katrami, Ross Kirk, A. Myatt:
A Phase Vocoder Graphical Interface for Timbral Manipulation of Cellular Automata and Fractal Landscape Mappings. - Justin R. Shuttleworth:
Interactive Music Composition with a Minimum of Input States. - Phil Winsor:
PAT-PROC: An Interactive, Pattern-Process, Algorithmic Composition Program. - John A. Bate:
A Multiprocessor DSP System for Real-Time Interactive Sound Processing and Synthesis. - Louis N. Bélanger:
Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation. - Eric Johnstone:
A MIDI Foot Controller-The Podoboard. - Nil Parent:
Parametric Spectrumization. - Alan Belkin:
Who's Playing - The Computer's Role in Musical Performance. - Simon Emmerson:
Computers and Live Electronic Music: Some Solutions, Many Problems. - Brad Garton, Mara Helmuth:
Composing the Output Interface. - Peter Desain, Henkjan Honing:
Tempo Curves Considered Harmful. - Joseph T. Chung:
A Development Environment for String Hyperinstruments. - Neil Gershenfeld:
MIT-Media Lab. - Mary Ann Norris:
Using State-of-the-Art Technologies to Investigate the Cognitive Mapping of Musical Intention to Performance. - Tom Maglione, Barry Vercoe:
A Platform for Real-Time Perceptually-Based Audio Data Reduction. - Perry R. Cook:
Non Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind Instruments. - Philippe Depalle, Gilles Poirot:
SVP: A Modular System for Analysis, Processing and Synthesis of Sound Signals. - Richard Orton, Andy Hunt, Ross Kirk:
Musical Applications of a Cellular Automata Workstation. - Ralph D. Hill:
The Cro-Magnon Advanced Additive Analysis/Synthesis System. - R. D. Wraggett:
In, Out, But Not Thru: The Current State of Electro-Acoustic Music Education in Canada. - Bruce P. Mahin:
The Computer-Assisted Music Classroom: A Catalyst for Creativity. - Richard Povall, Neil B. Rolnick:
Commonalities in the Time-Based Arts: A New Approach to the Teaching and Practice of the Electronic Arts. - Otto E. Laske:
Understanding Music with AI. - Hans Lunell:
Has Structure Any Meaning in Computer Music? - Craig R. Harris:
Found Sound, Found Structure Summary. - Dominique M. Richard:
Why Simulate When We Can Get The Real Thing? - Douglas Keislar:
The Relevance of Beating Partials for Musical Intonation. - Michael P. A. Page:
The Musical Expectations of Self-Organizing Neural Networks. - Richard Parncutt:
A Psychoacoustical Model for Tonal Composition. - Gregory Kramer, Stephen Ellison:
Audification: The Use of Sound to Display Multivariate Data. - Cor Jansen:
Sine Circuitu: 10, 000 high quality sine waves without detours. - Avi Parash, Uri Shimony:
An Expandable Real-Time Transputer Sound Generator. - Bruce W. Pennycook, Chris Lea:
T-MAX: a parallel processing development system for MAX. - Larry Polansky, Martin McKinney:
Morphological Mutation Functions: Applications to Motivic Transformation and a New Class of Cross-Synthesis Techniques. - Jonathan Hallstrom, Dale Skrien:
The Composer's Toolbox. - Aluizio Arcela, Gerber Ramalho:
A Formal Composition System Based on the Theory of Time Trees. - Robert Rowe:
A Self-Critical Composition Algorithm. - Peter Beyls:
Self-organizing Control Sturctures Using Multiple Cellular Automata. - Andreas Mahling:
How to Feed Musical Gestures into Compositions. - François Pachet:
A Meta-level Architecture for the Analysis of Jazz Chord Sequences. - Lingam M. Chelpa:
A Fuzzy-Set-Theoretic Frame Work Towards Computer Generation of "AALAP", Patterns in Hindustani Music. - Michael A. Lee, Adrian Freed, David Wessel:
Real-Time Neural Network Processing of Gestural and Acoustic Signals. - Daniel V. Oppenheim:
SHADOW: An Object-Oriented Performance System for the DMIX Environment. - François Pachet:
Representing Knowledge Used by Jazz Muscians. - Akio Sato, Tsutomu Harada, Shuji Hashimoto, Sadamu Ohteru:
Singing and Playing Music in Virtual Space. - Matti Karjalainen, Unto K. Laine, Timo I. Laakso, Vesa Välimäki:
Transmission-Line Modeling and Real-Time Synthesis of String and Wind Instruments. - Perry R. Cook:
TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine. - Suzanne Hirschman, Perry R. Cook, Julius O. Smith III:
Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development. - Julius O. Smith III:
Waveguide Simulation of Non-Cylindrical Acoustic Tubes. - Ann Stimson:
The Script for "Poème Electronique": Traces from a Pioneer. - Reynold Weidenaar:
The Alternators of the Telharmonium, 1906. - Gunilla Carlsson, Sten Termstrom, Johan Sundberg, Tamas Ungvary:
A New Digital System for Singing Synthesis Allowing Expressive Control. - Perry R. Cook:
LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument. - Ronald B. Smith:
Deriving a Quarter-Tone Harmonic Language Using Harmonic Spectra and their Formant Regions as a Model for Chord Voicings. - Myriam Desainte-Catherine:
The Architecture of a Musical Composition System Based on Constraint Resolution and Graph Rewriting. - Stephen Travis Pope:
A Tool for Manipulating Expressive and Structural Hierarchies in Music. - Fred Lerdahl, Xavier Chabot:
A Theory of Poetry as Music and Its Exploration through a Computer Aid to Composition. - Stephen David Beck:
Strange Attractors: A Virtual Instrument Algorithm for Acoustic Instruments. - Noel Zahler:
Questions About Interactive Computer Performance as a Resource for Music Composition and Probelms of Musicality. - Bridget Baird:
The Artificially Intelligent Computer Performer and Parallel Processing. - David Wessel:
Improvisation with Highly Interactive Real-Time Performance Systems. - Peter Desain, Henkjan Honing:
Generalized Time Functions. - Agostino Di Scipio:
Further Experiments with Non-linear Dynamic Systems: Composition and Digital Synthesis. - E. Bryan George, Mark J. T. Smith:
An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones. - W. Brent Weeks, W. Andrew Schloss, R. Lynn Kirlin:
Implementation of the KL Synthesis Algorithm Under Real-Time Control. - D. Gareth Loy:
Automatic Composition, Connectionism, and Musiconomy. - Jean Piché, Stéphane DesMeules:
MAXGEN: A graphical MAX object for the generation and editing of complex continuous control functions. - Jeff Pressing:
Some Applications of Time Theory to Computer Music Design. - Daniel V. Oppenheim:
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA). - Leslie Delehanty, Guy E. Garnett:
CNMAT Studio Report. - Francisco Kropfl:
LIPM Studio Report. - Dave Malham, Richard Orton, Andy Hunt, Ross Kirk:
Studio Report: University of York, England. - Myke Roy:
Phase 1 de l'implantation d'un centre d'accèss multi-média à PRIM. - Adrian Freed, David Wessel, David Zicarelli:
MAX Objects for Media Integration. - George Logemann:
CASCADES: Interactive Algorithmic Performance. - Pauline Oliveros:
The Expanded Instrument System (EIS). - Yann Orlarey:
Hierarchical Real Time Interapplication Communications. - Márcio da Costa P. Brandão, Ricardo S. R. Nascimento:
A Geometric-Concordance Device for Sound Synthesis. - Richard Orton, Andy Hunt, Ross Kirk:
Graphical Control of Granular Synthesis using Cellular Automata and the Freehand Program. - Vance Maverick:
The Arugula Computer-Music Score Editor. - Shahrokh David Yadegari:
Using Self-Similiarity for Sound/Music Synthesis. - Roger B. Dannenberg, Dean Rubine, Thomas P. Neuendorffer:
The Resource - Instance Model of Music Representation. - Kees de Koning, Shaun Oates:
Sound Base: Phonetic Searching in Sound Archives. - Barry Eaglestone, Albert Verschoor:
An Intelligent Music Repository. - Bernhard Feiten, Roland Frank, Tamas Ungvary:
Organization of Sounds with Neural Nets. - Marc Battier:
Recent Musical Creation at IRCAM. - Adolfo Núñez, Carlos Cester:
Studio Report: LIEM CDMC. - Jack A. Taylor:
Computer Based Experimental Research in Music Perception and Cognition at the CMR-FSU. - Noel Zahler:
CEDS TO GROW A CAT: A Progress/Studio Report. - William F. Punch III, Greg Sepesi:
The Design of a C++ Library for MIDI Applications. - Sergi Jordà:
A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. - Dave Malham, Richard Orton:
Progress in the Application of 3-Dimensional Ambisonic Sound Systems to Computer Music. - Louis-Philippe Demers:
A Performance Instrument for Lighting. - Michael Hamman:
Mapping Complex Systems Using Granular Synthesis. - Andrew Horner, David E. Goldberg:
Genetic Algorithms and Computer-Assisted Music Composition. - Clifton Kussmaul:
Applications of the Wavelet Transform at the Level of Pitch Contour. - Barry Truax:
Composition with Time-Shifted Environmental Sound Using a Real-Time Granulation Technique. - Anthony L. Miele:
Patenting Your Computer Music Algorithms in the U.S. - Deta S. Davis:
Recent Changes in Computer and Electronic Music Subject Headings at the Library of Congress. - Marcia L. Bauman, Glendon R. Diener, Max V. Mathews:
The International Digital Electroacoustic Music Archive. - Carla A. Scaletti:
Lightweight Classes without Programming. - Kurt J. Hebel:
A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001. - Brian Belet:
Proportional Recursive Stochastic Compositon Using COMP2, a Smalltalk-80 Composition Program with the Kyma Digital Synthesis System. - Iannis Xenakis:
More Thorough Stochastic Music. - David A. Jaffe:
Musical and Extra-Musical Applications of the NeXT Music Kit. - R. Crandell, Michael Minnick:
Parallel Transform Method for Lossless Compression on Analog Data. - Rupert C. Nieberle:
A Fast Communication-Interface to the CAMP-DSP-Subsystem for general purpose Sound-Synthesis, Analysis and Processing. - Cort Lippe, Miller S. Puckette:
Musical Performance Using the IRCAM Workstations. - Roger B. Dannenberg, Kenneth Bookstein:
Practical Aspects of a MIDI Conducting System. - David Keane, Kevin Wood:
The MIDI Baton III. - Todd Winkler:
Interactive Signal Processing for Acoustic Instruments. - Philippe Ménard:
Space at Performer's Fingertips. - Martha Brech:
Musical Analysis of Computer Music with Sonagrams. - Peter Lundén, Tamas Ungvary:
"MacSonogram": a Programme to Produce Large Scale Sonograms for Musical Purposes. - Xavier Rodet, Boris Doval:
Fundamental Frequency Estimation Using a New Harmonic Matching Method. - Andranick Tanguiane:
The Criterion of Data Complexity in Rhythm Recognition. - Mara Helmuth:
Patchmix and StochGran: Two Graphical Interfaces. - Jean-Michel Raczinski:
New UPIC System Demonstration. - Anthony G. Holland:
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer. - Alain Pitre:
Creation of MIDI Files for Acoustical Experiment Using the TX81Z. - Serge de Laubier, Daniel Teruggi:
MIDI Generation of Sound Morphologies. - Anthonie Driesse:
Real-Time Tempo Tracking Using Rules to Analyze Rythmic Qualities. - Lippold Haken:
Lime* Music Notation Software for the Macintosh. - Olivier Koechlin, Hugues Vinet:
The Acousmographe, a Macintosh software for the graphical representation of sounds. - Olivier Koechlin, Hugues Vinet, Didier Brisson:
DSP Station, a HyperCard environment for DSP sound processing algorhythms. - Ralph D. Hill:
The Cro-Magnon Advanced Additive Analysis/Synthesis System.
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