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ORCID10. Audio Mostly Conference 2015: Thessaloniki, Greece
- George Kalliris, Charalampos Dimoulas:
Proceedings of the Audio Mostly 2015 on Interaction With Sound, AM '15, Thessaloniki, Greece, October 7-9, 2015. ACM 2015, ISBN 978-1-4503-3896-7 - Hanif Baharin, Nadiah Zin:
Rhythmic Persuasion Model: Shifting from Phatic to Persuasion. 1:1-1:4 - Adriano Baratè, Goffredo Haus, Luca A. Ludovico:
Multilayer Formats and the Semantic Web: a Music Case Study. 2:1-2:8 - Mathieu Barthet
, György Fazekas, Alo Allik, Mark B. Sandler:
Moodplay: an interactive mood-based musical experience. 3:1-3:8 - Axel Berndt, Nadia Al-Kassab, Raimund Dachselt:
TouchNoise: A New Multitouch Interface for Creative Work with Noise. 4:1-4:8 - Vasileios Bountourakis, Lazaros Vrysis, George Papanikolaou:
Machine Learning Algorithms for Environmental Sound Recognition: Towards Soundscape Semantics. 5:1-5:7 - Dimitrios Bountouridis, Jan Van Balen, Marcelo E. Rodríguez-López, Anna Aljanaki, Frans Wiering, Remco C. Veltkamp:
Tonic: Combining Ranking and Clustering Dynamics for Music Discovery. 6:1-6:6 - Vincent Bragard, Thomas Pellegrini, Julien Pinquier:
Pyc2Sound: a Python tool to convert images into sound. 7:1-7:4 - Vasileios Chatziioannou:
Digital synthesis of impact sounds. 8:1-8:4 - Justin Christensen:
Emotional cues, emotional signals, and their contrasting effects on listener valence. 9:1-9:5 - Cumhur Erkut, Stefania Serafin, Michael Hoby, Jonniy Sårde:
Product Sound Design: Form, Function, and Experience. 10:1-10:6 - Johan Fagerlönn, Stefan Lindberg, Anna Sirkka:
Combined Auditory Warnings For Driving-Related Information. 11:1-11:5 - Jianyu Fan, Miles Thorogood, Bernhard E. Riecke, Philippe Pasquier:
Automatic Recognition of Eventfulness and Pleasantness of Soundscape. 12:1-12:6 - Hans-Peter Gasselseder:
The Role of Agency in Ludoacoustic Immersion: Experiencing Recorded Sound and Music in Situational Context. 13:1-13:7 - Steven Gelineck, Dan Overholt:
Haptic and Visual feedback in 3D Audio Mixing Interfaces. 14:1-14:6 - Christos A. Goussios, Nikolaos Tsinikas, Niovi Kitsiou:
Echoes of reverb: from cave acoustics to sound design. 15:1-15:4 - Christos A. Goussios, Eleni Gkolfinopoulou, Dimitra Margaritidou, Ioannis Sykovaris, Konstantinos Stathis:
The Impact of Sound Design on the Interpretation of Archive Silent Films. Meteora, (1924): A case study. 16:1-16:7 - Francesco Grani, Dan Overholt, Cumhur Erkut, Steven Gelineck, Georgios Triantafyllidis, Rolf Nordahl, Stefania Serafin:
Spatial Sound and Multimodal Interaction in Immersive Environments. 17:1-17:5 - Mark Grimshaw, Mads Walther-Hansen:
The Sound of the Smell of my Shoes. 18:1-18:8 - Aristotelis Hadjakos, Heizo Schulze, André Düchting, Christian Metzger, Marc Ottensmann, Friederike Riechmann, Anna-Maria Schneider, Michael Trappmann:
Learning Visual Programming by Creating a Walkable Interactive Installation. 19:1-19:8 - Maria Kallionpää, Hans-Peter Gasselseder:
Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive Capabilities. 20:1-20:7 - Fotios Kontomichos, Nicolas-Alexander Tatlas, Panagiotis D. Hatziantoniou, Charalampos Papadakos:
PC-based room correction for audio. 21:1-21:6 - Rigas Kotsakis, A. Mislow, George Kalliris, Maria Matsiola:
Feature-Based Language Discrimination in Radio Productions via Artificial Neural Training. 22:1-22:7 - Davide A. Mauro, Davide Rocchesso:
Analyzing and organizing the sonic space of vocal imitations. 23:1-23:7 - Dionysios Politis, Dimitrios Margounakis, Miltiadis Tsaligopoulos, Georgios Kyriafinis:
Chromatic Reconstruction and Musical Aberration: a survey into the Brain Synapses of Musicality. 24:1-24:7 - Marcelo Queiroz, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Obtaining General Chord Types from Chroma Vectors. 25:1-25:6 - Frederic Anthony Robinson, Cedric Spindler, Volker Böhm, Erik Oña:
Gestural control in electronic music performance: sound design based on the 'striking' and 'bowing' movement metaphors. 26:1-26:6 - Gabriela Seibert, Daniel Hug, Markus Cslovjecsek:
Towards an Enactive Swimming Sonification: Exploring Multisensory Design and Musical Interpretation. 27:1-27:8 - Efstathios A. Sidiropoulos, Evdokimos I. Konstantinidis, Rigas G. Kotsakis, Andreas A. Veglis:
RecApp: A mobile application for ubiquitous and collaborative audio processing. 28:1-28:5 - Morten Søndergaard:
The Delayed Medium: Hidden Matrices of Unheard Sound in Some Artistic Data-visualisation Experiments. 29:1-29:6 - Nicolas-Alexander Tatlas, Stelios M. Potirakis, Stelios A. Mitilineos, S. Despotopoulos, D. Nicolaidis, Maria Rangoussi:
A Wireless Acoustic Sensor Network for environmental monitoring based on flexible hardware nodes. 30:1-30:5 - David Stubbe Teglbjærg, Jesper S. Andersen, Stefania Serafin:
The StringPhone: a novel voice driven physically based synthesizer. 31:1-31:6 - Miles Thorogood, Jianyu Fan, Philippe Pasquier:
BF-Classifier: Background/Foreground Classification and Segmentation of Soundscape Recordings. 32:1-32:6 - Emmanouil G. Tsardoulias, Andreas L. Symeonidis, Pericles A. Mitkas:
An automatic speech detection architecture for social robot oral interaction. 33:1-33:8 - Nikolaos Tsipas, Panagiotis Zapartas, Lazaros Vrysis, Charalampos Dimoulas:
Augmenting Social Multimedia Semantic Interaction through Audio-Enhanced Web-TV Services. 34:1-34:7 - Jeroen Visser, Raimund Vogtenhuber:
Die Neukoms. Local streamed live-performance with mobile devices. 35:1-35:5 - N. Vryzas, Charalampos A. Dimoulas, George Papanikolaou:
Embedding sound localization and spatial audio interaction through coincident microphones arrays. 36:1-36:8 - Lazaros Vrysis, Nikolaos Tsipas, Charalampos Dimoulas, George Papanikolaou:
Mobile Audio Intelligence: From Real Time Segmentation to Crowd Sourced Semantics. 37:1-37:6 - Wenjie Wu, Stefan Rank:
Audio Feedback Design Principles for Hand Gestures in Audio-Only Games. 38:1-38:6 - Asterios I. Zacharakis, Konstantinos Pastiadis:
A confirmatory approach of the Luminance-Texture-Mass model for musical timbre semantics. 39:1-39:5
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