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ORCIDInteractive Experience in the Digital Age 2014
- Linda Candy, Sam Ferguson:
Interactive Experience in the Digital Age, Evaluating New Art Practice. Springer Series on Cultural Computing, Springer 2014, ISBN 978-3-319-04509-2 - Linda Candy, Sam Ferguson:
Interactive Experience, Art and Evaluation. 1-10 - Ernest A. Edmonds:
Human Computer Interaction, Art and Experience. 11-23 - Linda Candy:
Evaluation and Experience in Art. 25-48 - Andrew Johnston:
Keeping Research in Tune with Practice. 49-62 - Scott L. Simon:
Interactive Art, Autonomy and Evaluation. 63-73 - Oliver Bown, Petra Gemeinboeck, Rob Saunders:
The Machine as Autonomous Performer. 75-90 - Lian Loke, George Poonkhin Khut:
Intimate Aesthetics and Facilitated Interaction. 91-108 - Roger Mills, Kirsty A. Beilharz:
The Network Unveiled: Evaluating Tele-musical Interaction. 109-122 - Nick Bryan-Kinns
:
Mutual Engagement in Digitally Mediated Public Art. 123-138 - Chek Tien Tan, Sam Ferguson:
The Role of Emotions in Art Evaluation. 139-152 - Derek Reilly, Fanny Chevalier, Dustin Freeman:
Blending Art Events and HCI Research. 153-168 - Ben Bengler, Nick Bryan-Kinns:
In the Wild: Evaluating Collaborative Interactive Musical Experiences in Public Settings. 169-186 - Ximena Alarcón-Díaz, Kira Askaroff, Linda Candy, Ernest A. Edmonds, Jane Faram, Gillian Hobson:
Evaluation in Public Art: The Light Logic Exhibition. 187-208 - Stephen Barrass, Ana Luisa Sanchez Laws:
Experience and Evaluation in the Collective Creation of a Public Digital Exhibition. 209-219 - Deborah Turnbull, Matthew Connell:
Curating Digital Public Art. 221-241 - Jennifer G. Sheridan:
Digital Arts Entrepreneurship: Evaluating Performative Interaction. 243-259
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