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2020 – today
- 2022
[c31]Ivica Bukvic
:
Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter. NIME 2022- 2021
- [c30]Kyriakos D. Tsoukalas, Ivica Bukvic:
Music Computing and Computational Thinking: A Case Study. NIME 2021 - 2020
- [j3]Siddharth Narayanan, Nicholas F. Polys, Ivica Ico Bukvic:
Cinemacraft: exploring fidelity cues in collaborative virtual world interactions. Virtual Real. 24(1): 53-73 (2020) - [c29]Disha Sardana, Woohun Joo, Ivica Ico Bukvic, Gregory Earle:
Perception of spatial data properties in an immersive multi-layered auditory environment. Audio Mostly Conference 2020: 30-37 - [c28]Kyriakos D. Tsoukalas, Joseph R. Kubalak, Ivica Ico Bukvic:
The impact of scaling the production of a new interface for musical expression on its design: a story of L2Orkmotes. Audio Mostly Conference 2020: 138-145 - [c27]Ivica Ico Bukvic, Disha Sardana, Woohun Joo:
New Interfaces for Spatial Musical Expression. NIME 2020: 249-254
2010 – 2019
- 2019
- [c26]Disha Sardana, Woohun Joo, Ivica Ico Bukvic, Greg Earle:
Introducing Locus: a NIME for Immersive Exocentric Aural Environments. NIME 2019: 250-255 - 2018
- [c25]Ivica Ico Bukvic, Andrea L. Ogier:
Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music. ICMC 2018 - [c24]Kyriakos D. Tsoukalas, Ivica Ico Bukvic:
Introducing a K-12 Mechatronic NIME Kit. NIME 2018: 206-209 - [c23]Kyriakos D. Tsoukalas, Joseph Kubalak, Ivica Ico Bukvic:
L2OrkMote: Reimagining a Low-Cost Wearable Controller for a Live Gesture-Centric Music Performance. NIME 2018: 275-280 - 2017
- [c22]Siddharth Narayanan, Ivica Ico Bukvic:
Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform. ICMC 2017 - [c21]Ivica Bukvic, Spencer Lee:
Glasstra: exploring the use of an inconspicuous head mounted display in a live technology-mediated music performance. NIME 2017: 313-318 - 2016
- [j2]Eric Lyon, Terence Caulkins, Denis Blount, Ivica Ico Bukvic, Charles Nichols, Michael J. Roan, Tanner Upthegrove:
Genesis of the Cube: The Design and Deployment of an HDLA-Based Performance and Research Facility. Comput. Music. J. 40(4): 62-78 (2016) - [j1]Dane Webster, Ivica Ico Bukvic:
Small Data, Big Impact. IEEE Multim. 23(1): 6-9 (2016) - [c20]Ivica Ico Bukvic:
Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays. ICMC 2016 - 2015
- [c19]Ivica Ico Bukvic, Michael Matthews:
Aegis audio engine: Integrating a real-time analog signal processing, pattern recognition, and a procedural sound trackin a live twelve-perfomer spectacle with crowd participation. ICAD 2015: 35-42 - [c18]Nicholas F. Polys, Benjamin Knapp, Matthew Bock, Christina Lidwin, Dane Webster, Nathan Waggoner, Ivica Ico Bukvic:
Fusality: an open framework for cross-platform mirror world installations. Web3D 2015: 171-179 - 2014
- [c17]Ivica Ico Bukvic, Cody Cahoon, Ariana Wyatt, Tracy Cowden, Katie Dredger:
OPERAcraft: Blurring the Lines between Real and Virtual. ICMC 2014 - [c16]Ivica Ico Bukvic:
Pd-L2Ork Raspberry Pi Toolkit as a Comprehensive Arduino Alternative in K-12 and Production Scenarios. NIME 2014: 163-166 - 2013
- [c15]Brennon Bortz, Aki Ishida, Ivica Ico Bukvic, R. Benjamin Knapp:
Lantern Field: Exploring Participatory Design of a Communal, Spatially Responsive Installation. NIME 2013: 73-78 - [c14]Blake Sawyer, Jason B. Forsyth, Taylor O'Connor, Brennon Bortz, Teri Finn, Liesl Baum, Ivica Ico Bukvic, R. Benjamin Knapp, Dane Webster:
Form, function and performances in a musical instrument MAKErs camp. SIGCSE 2013: 669-674 - 2012
- [c13]Ivica Ico Bukvic, Liesl Baum, Bennett Layman, Kendall Woodard:
Granular Learning Objects for Instrument Design and Collaborative Performance in K-12 Education. NIME 2012 - 2011
- [c12]Ivica Ico Bukvic, Scott Betz:
Using gaming engine for virtual prototyping and impact assessment of complex interactive art installations. ICMC 2011 - 2010
- [c11]Ivica Ico Bukvic, Ji-Sun Kim:
Perception And Interpretation Of Concurrent Aural Shapes Using Dream Interface. ICMC 2010 - [c10]Ivica Bukvic, Thomas Martin, Eric Standley, Michael Matthews:
Introducing L2Ork: Linux Laptop Orchestra. NIME 2010: 170-173
2000 – 2009
- 2009
- [c9]Ivica Ico Bukvic, Ji-Sun Kim:
μ Max-Unity3D Interoperability Toolkit. ICMC 2009 - [c8]Khaled Hussein, Eli Tilevich, Ivica Ico Bukvic, SooBeen Kim:
Sonification design guidelines to enhance program comprehension. ICPC 2009: 120-129 - [c7]Ivica Bukvic, Eric Standley:
Elemental & Cyrene Reefs. NIME 2009: 337 - 2008
- [c6]Ivica Ico Bukvic, Denis Gracanin, Francis K. H. Quek:
Investigating Artistic potential of the Dream Interface: the Aural Painting. ICMC 2008 - 2007
- [c5]Ivica Ico Bukvic, Ji-Sun Kim, Dan Trueman, Thomas Grill:
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis. ICMC 2007 - 2004
- [c4]Ivica Ico Bukvic:
Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time? ICMC 2004 - [c3]Mara Helmuth, Margaret Schedel, Jennifer Bernard, Ivica Ico Bukvic, Shiau-uen Ding:
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)2 in 2004. ICMC 2004 - 2002
- [c2]Ivica Ico Bukvic:
RTMix: a Real-Time Interactive Electroacoustic Music Performance, Composition and Coaching Interface. ICMC 2002 - 2001
- [c1]Mara Helmuth, Chris Watts, Ivica Ico Bukvic:
University of Cincinnati College Conservatory of Music Center for Computer Music. ICMC 2001
Coauthor Index
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last updated on 2024-10-07 21:23 CEST by the dblp team
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