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2020 – today
- 2023
[c12]Susana Costa
, Bruno Mendes da Silva:
Âmago II: The Creative Process of an Underwater Vietnamese Self-Portrait. ARTECH 2023: 4:1-4:4- [c11]Rui d'Orey, Jorge Carrega, Bruno Mendes da Silva, Alexandre Martins:
The Faro Museum poster collection: Demo of a prototype for a digital exhibit. ARTECH 2023: 17:1-17:5 - [c10]Susana Costa, Mirian Nogueira Tavares, Bruno Mendes da Silva, José Bidarra:
Insights from a digital diary: Exploring the Creative Process of the game-installation In[The Hate Booth]. ARTECH 2023: 34:1-34:9 - [c9]Ana De Jesus Perfeito, Bruno Mendes da Silva:
Live Cinema: Composing Linear Narratives through Untouchable Interfaces and the Performers' Body Movements. ARTECH 2023: 43:1-43:6 - [c8]Inês Regina Barbosa de Argôlo, Bruno Mendes da Silva, Gabriela Borges:
"Rejeitorio": The battle of man against a river: Contextualization and creative process of the second version of the artifact. ARTECH 2023: 50:1-50:10 - [c7]Patrick Dos Santos, Bruno Mendes da Silva:
The Weight of Water: Digital Artefact to blow the whistle on mental health issues in swimming athletes. ARTECH 2023: 51:1-51:4 - [c6]Rui d'Orey, Alexandre Martins, Jorge Carrega, Bruno Mendes da Silva:
Dematerializing materials: description of the first stages to digitize a museum exhibition with 3D technologies. KUI 2023: 15:1-15:8 - [e1]Lucas Fabián Olivero, Pedro Alves da Veiga, António Bandeira Araújo, Patrícia Dourado, Bruno Mendes da Silva:
Proceedings of the 11th International Conference on Digital and Interactive Arts, ARTECH 2023, Faro, Portugal, November 28-30, 2023. ACM 2023 [contents] - 2022
- [j7]Inês Regina Barbosa de Argôlo, Bruno Mendes da Silva, Gabriela Borges:
The Video Installation Rejeitorio: Inspirations, Work, Exhibitions, and Public Reception. Int. J. Art Cult. Des. Technol. 11(3): 1-14 (2022) - [c5]Susana Costa, Mirian Nogueira Tavares, José Bidarra, Bruno Mendes da Silva:
IN[The Hate Booth]: a Gamified Installation to Counteract Hate Speech. ArtsIT 2022: 161-173 - 2021
- [c4]Inês Regina Barbosa de Argôlo, Bruno Mendes da Silva, Gabriela Borges:
"Rejeitorio": An interactive video installation focusing on human impact on the São Francisco River: Rejeitorio: Uma videoinstalação interativa enfocando o impacto humano sobre o rio São Francisco. ARTECH 2021: 1:1-1:5 - [c3]Susana Costa, Bruno Mendes da Silva, Mirian Nogueira Tavares:
Video games and gamification against online hate speech? ARTECH 2021: 35:1-35:7 - [c2]Susana Costa, Bruno Mendes da Silva, Mirian Nogueira Tavares:
Tackling Online Hate Speech? - Play Your Role! ArtsIT 2021: 79-93 - 2020
- [j6]Pedro Correia, Bruno Mendes da Silva, Mirian Nogueira Tavares:
The Sopro Artefact: A Quasi-Medium. Int. J. Creative Interfaces Comput. Graph. 11(2): 1-15 (2020)
2010 – 2019
- 2019
- [c1]Bruno Mendes da Silva, António Bandeira Araújo, Mirian Nogueira Tavares:
Cadavre Exquis: A Motion-Controlled Interactive Film. ARTECH 2019: 66:1-66:4 - 2018
- [j5]Rui António, Bruno Mendes da Silva, João M. F. Rodrigues, Mirian Nogueira Tavares:
The Lives of Others: An Interactive Installation. Int. J. Creative Interfaces Comput. Graph. 9(1): 49-58 (2018) - 2017
- [j4]Rui António, Bruno Mendes da Silva, João M. F. Rodrigues, Mirian Nogueira Tavares:
Experimenting on Film: Technology Meets Arts. Int. J. Creative Interfaces Comput. Graph. 8(1): 54-66 (2017) - 2016
- [j3]Bruno Mendes da Silva, Mirian Nogueira Tavares, Vítor Reia-Baptista:
Interactivity, Cinema, and Experimentation: The Forking Paths. Int. J. Creative Interfaces Comput. Graph. 7(2): 68-85 (2016) - 2014
- [j2]Mário Dominguez, Fernando Faria Paulino, Bruno Mendes da Silva:
Between the Sacred and the Profane in the S. João d'Arga's Festivities: A Digital Art Installation. Int. J. Creative Interfaces Comput. Graph. 5(1): 1-20 (2014) - [j1]Bruno Mendes da Silva:
The Forking Paths: An Interactive Cinema Experience. Int. J. Creative Interfaces Comput. Graph. 5(1): 46-56 (2014)
Coauthor Index
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