{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,9,6]],"date-time":"2024-09-06T00:44:12Z","timestamp":1725583452287},"reference-count":29,"publisher":"SAGE Publications","issue":"1","license":[{"start":{"date-parts":[[2013,3,25]],"date-time":"2013-03-25T00:00:00Z","timestamp":1364169600000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/journals.sagepub.com\/page\/policies\/text-and-data-mining-license"}],"content-domain":{"domain":["journals.sagepub.com"],"crossmark-restriction":true},"short-container-title":["New Media & Society"],"published-print":{"date-parts":[[2014,2]]},"abstract":" Spoof trailers are trailers for a non-existent film that typically has a parodic tone, changing the genre of the source film or films. They may combine materials from different films in the form of mash-ups or re-order scenes or shots of a single film, altering the original title cards and voiceover narration. They may also incorporate images and sound bites from popular media artefacts. Spoof trailers have also become one of the key manners through which Internet users inscribe their creativity on the Web, defy copyright laws and re-contextualize previously existing cultural material to challenge the distinction between producers and consumers. I seek to analyse what are the aesthetic characteristics of spoof trailers, the viewing environments in which they exist and the dominant logics at work within the Internet to account for this emerging, Web-specific, form of film culture. <\/jats:p>","DOI":"10.1177\/1461444813479000","type":"journal-article","created":{"date-parts":[[2013,3,27]],"date-time":"2013-03-27T00:31:18Z","timestamp":1364344278000},"page":"149-164","update-policy":"http:\/\/dx.doi.org\/10.1177\/sage-journals-update-policy","source":"Crossref","is-referenced-by-count":3,"title":["Spoof trailers, hyperlinked spectators & the web"],"prefix":"10.1177","volume":"16","author":[{"given":"Vicente Rodr\u00edguez","family":"Ortega","sequence":"first","affiliation":[{"name":"Universidad Carlos III de Madrid, Spain"}]}],"member":"179","published-online":{"date-parts":[[2013,3,25]]},"reference":[{"key":"bibr1-1461444813479000","doi-asserted-by":"publisher","DOI":"10.5040\/9781838710491"},{"volume-title":"The American Film Musical","year":"1999","author":"Altman R","key":"bibr2-1461444813479000"},{"key":"bibr3-1461444813479000","doi-asserted-by":"publisher","DOI":"10.4324\/9780203289549"},{"key":"bibr4-1461444813479000","unstructured":"Bradshaw P (2006) Brokeback Mountain. The Guardian, 6 January. Available at: http:\/\/www.guardian.co.uk\/film\/2006\/jan\/06\/3 (accessed 21 December 2011)."},{"key":"bibr5-1461444813479000","first-page":"89","volume-title":"The YouTube Reader","author":"Burgess J","year":"2009"},{"key":"bibr6-1461444813479000","doi-asserted-by":"crossref","unstructured":"Coppa F (2008) Women, Star Trek, and the early development of fannish vidding. Transformative Works and Cultures 1. Available at: http:\/\/journal.transformativeworks.org\/index.php\/twc\/article\/view\/44\/64 (accessed 10 March 2012).","DOI":"10.3983\/twc.2008.044"},{"volume-title":"Show Sold Separately: Promos, Spoilers and Other Media Paratexts","year":"2010","author":"Gray J","key":"bibr7-1461444813479000"},{"key":"bibr8-1461444813479000","doi-asserted-by":"publisher","DOI":"10.5040\/9781838710170.0008"},{"key":"bibr9-1461444813479000","first-page":"470","volume-title":"Television: The Critical View","author":"Jenkins H","year":"2000"},{"key":"bibr10-1461444813479000","doi-asserted-by":"crossref","first-page":"281","DOI":"10.7551\/mitpress\/5930.003.0021","volume-title":"Rethinking Media Change: The Aesthetics of Transition","author":"Jenkins H","year":"2003"},{"volume-title":"Convergence Culture Where Old and New Media Collide","year":"2006","author":"Jenkins H","key":"bibr11-1461444813479000"},{"key":"bibr12-1461444813479000","doi-asserted-by":"publisher","DOI":"10.7560\/706002"},{"volume-title":"Beyond the Multiplex: Cinema, New Technologies, and the Home","year":"2006","author":"Klinger B","key":"bibr13-1461444813479000"},{"key":"bibr14-1461444813479000","unstructured":"Lamb L (2005) All quiet on the gay western front. Salon.com, 7 December. Available at: http:\/\/www.salon.com\/2005\/12\/07\/brokeback_mountain\/ (accessed 10 December 2011)."},{"volume-title":"New Media: A Critical Introduction","year":"2003","author":"Lister M","key":"bibr15-1461444813479000"},{"key":"bibr16-1461444813479000","unstructured":"McCracken G (2005) \u2018Consumers\u2019 or \u2018multipliers\u2019 A new language for marketing? This Blog Sits in the Intersection Between Anthropology and Economics, 10 November, pp. 357\u2013364. Available at: http:\/\/cultureby.com\/2005\/11\/consumers_or_mu.html (accessed 9 March 2012)."},{"key":"bibr17-1461444813479000","first-page":"33","volume-title":"Video Vortex Reader: Responses to YouTube","author":"Manovich L","year":"2008"},{"key":"bibr18-1461444813479000","doi-asserted-by":"crossref","unstructured":"Phillips F (2012) The star wars franchise, fan edits, and Lucasfilm. Transformative Works and Cultures 9. Available at: http:\/\/journal.transformativeworks.org\/index.php\/twc\/article\/view\/385 (accessed 15 March 2012).","DOI":"10.3983\/twc.2012.0385"},{"key":"bibr19-1461444813479000","unstructured":"Puente M (2010) Trailer mash: homemade, humorous film-promo remixes. USA Today, 15 January. Available at: http:\/\/www.usatoday.com\/life\/movies\/news\/2010-01-13-trailermash13_ST_N.htm (accessed 10 December 2011)"},{"key":"bibr20-1461444813479000","unstructured":"Rodr\u00edguez Ortega V (2007) Transnational media imaginaries: cinema, digital technology and uneven globalization. Unpublished Doctoral Thesis, New York University, New York."},{"volume-title":"The Art of Immersion: How the Digital Generation is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories","year":"2011","author":"Rose R","key":"bibr21-1461444813479000"},{"key":"bibr22-1461444813479000","unstructured":"Scary Movie Official Press kit (2006). No longer available online."},{"key":"bibr23-1461444813479000","doi-asserted-by":"publisher","DOI":"10.1525\/9780520937826"},{"key":"bibr24-1461444813479000","doi-asserted-by":"publisher","DOI":"10.2307\/1225178"},{"key":"bibr25-1461444813479000","doi-asserted-by":"publisher","DOI":"10.3138\/9781442687035"},{"volume-title":"Reinventing Cinema: Movies in the Age of Media Convergence","year":"2009","author":"Tryon C","key":"bibr26-1461444813479000"},{"key":"bibr27-1461444813479000","unstructured":"UNESCO (2011) The relationship between local content, Internet development and access prices. Available at: http:\/\/www.unesco.org\/new\/fileadmin\/MULTIMEDIA\/HQ\/CI\/CI\/pdf\/local_content_study.pdf (accessed 26 November 2012)."},{"key":"bibr28-1461444813479000","doi-asserted-by":"crossref","unstructured":"Williams KM (2012) Fake and fan film trailers as incarnations of audience anticipation and desire. Transformative Works and Cultures 9. Available at: http:\/\/journal.transformativeworks.org\/index.php\/twc\/article\/view\/360\/284 (accessed 15 March 2012).","DOI":"10.3983\/twc.2012.0360"},{"key":"bibr29-1461444813479000","doi-asserted-by":"publisher","DOI":"10.1515\/9780691201337"}],"container-title":["New Media & Society"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1177\/1461444813479000","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/journals.sagepub.com\/doi\/full-xml\/10.1177\/1461444813479000","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/journals.sagepub.com\/doi\/pdf\/10.1177\/1461444813479000","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,9,5]],"date-time":"2024-09-05T23:39:04Z","timestamp":1725579544000},"score":1,"resource":{"primary":{"URL":"https:\/\/journals.sagepub.com\/doi\/10.1177\/1461444813479000"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2013,3,25]]},"references-count":29,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2014,2]]}},"alternative-id":["10.1177\/1461444813479000"],"URL":"https:\/\/doi.org\/10.1177\/1461444813479000","relation":{},"ISSN":["1461-4448","1461-7315"],"issn-type":[{"type":"print","value":"1461-4448"},{"type":"electronic","value":"1461-7315"}],"subject":[],"published":{"date-parts":[[2013,3,25]]}}}