{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,6,10]],"date-time":"2024-06-10T11:12:55Z","timestamp":1718017975842},"reference-count":38,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2022,5,17]],"date-time":"2022-05-17T00:00:00Z","timestamp":1652745600000},"content-version":"vor","delay-in-days":16,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Cognitive Science"],"published-print":{"date-parts":[[2022,5]]},"abstract":"Abstract<\/jats:title>Viewers\u2019 attentional selection while looking at scenes is affected by both top\u2010down and bottom\u2010up factors. However, when watching film, viewers typically attend to the movie similarly irrespective of top\u2010down factors\u2014a phenomenon we call the tyranny of film<\/jats:italic>. A key difference between still pictures and film is that film contains motion, which is a strong attractor of attention and highly predictive of gaze during film viewing. The goal of the present study was to test if the tyranny of film is driven by motion. To do this, we created a slideshow presentation of the opening scene of Touch of Evil<\/jats:italic>. Context<\/jats:italic> condition participants watched the full slideshow. No\u2010context<\/jats:italic> condition participants did not see the opening portion of the scene, which showed someone placing a time bomb into the trunk of a car. In prior research, we showed that despite producing very different understandings of the clip, this manipulation did not affect viewers\u2019 attention (i.e., the tyranny of film), as both context and no\u2010context participants were equally likely to fixate on the car with the bomb when the scene was presented as a film. The current study found that when the scene was shown as a slideshow, the context manipulation produced differences in attentional selection (i.e., it attenuated attentional synchrony). We discuss these results in the context of the Scene Perception and Event Comprehension Theory, which specifies the relationship between event comprehension and attentional selection in the context of visual narratives.<\/jats:p>","DOI":"10.1111\/cogs.13131","type":"journal-article","created":{"date-parts":[[2022,5,17]],"date-time":"2022-05-17T16:27:30Z","timestamp":1652804850000},"update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":6,"title":["Narrative Comprehension Guides Eye Movements in the Absence of Motion"],"prefix":"10.1111","volume":"46","author":[{"given":"John P.","family":"Hutson","sequence":"first","affiliation":[{"name":"Department of Learning Sciences Georgia State University"}]},{"given":"Prasanth","family":"Chandran","sequence":"additional","affiliation":[{"name":"Department of Psychological Sciences Kansas State University"}]},{"given":"Joseph P.","family":"Magliano","sequence":"additional","affiliation":[{"name":"Department of Learning Sciences Georgia State University"}]},{"given":"Tim J.","family":"Smith","sequence":"additional","affiliation":[{"name":"Department of Psychological Sciences Birkbeck, University of London"}]},{"given":"Lester C.","family":"Loschky","sequence":"additional","affiliation":[{"name":"Department of Psychological Sciences Kansas State University"}]}],"member":"311","published-online":{"date-parts":[[2022,5,17]]},"reference":[{"key":"e_1_2_8_2_1","doi-asserted-by":"publisher","DOI":"10.1016\/s0022\u20105371(78)90485\u20101"},{"key":"e_1_2_8_3_1","doi-asserted-by":"publisher","DOI":"10.1016\/S0022\u20105371(72)80006\u20109"},{"key":"e_1_2_8_4_1","doi-asserted-by":"publisher","DOI":"10.1016\/0010-0285(81)90008-6"},{"key":"e_1_2_8_5_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.visres.2006.08.019"},{"key":"e_1_2_8_6_1","doi-asserted-by":"publisher","DOI":"10.3758\/s13414-019-01757-w"},{"key":"e_1_2_8_7_1","doi-asserted-by":"publisher","DOI":"10.1186\/s41235\u2010019\u20100188\u2010x"},{"key":"e_1_2_8_8_1","doi-asserted-by":"publisher","DOI":"10.1167\/10.10.28"},{"key":"e_1_2_8_9_1","doi-asserted-by":"publisher","DOI":"10.1037\/xhp0000743"},{"key":"e_1_2_8_10_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.tics.2016.11.003"},{"key":"e_1_2_8_11_1","doi-asserted-by":"publisher","DOI":"10.1038\/srep43083"},{"key":"e_1_2_8_12_1","doi-asserted-by":"publisher","DOI":"10.1186\/s41235\u2010017\u20100080\u20105"},{"key":"e_1_2_8_13_1","doi-asserted-by":"publisher","DOI":"10.1111\/cogs.12699"},{"key":"e_1_2_8_14_1","doi-asserted-by":"publisher","DOI":"10.3167\/proj.2021.150102"},{"key":"e_1_2_8_15_1","volume-title":"Comprehension: A paradigm for cognition","author":"Kintsch W.","year":"1998"},{"key":"e_1_2_8_16_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.neuroimage.2014.06.022"},{"key":"e_1_2_8_17_1","doi-asserted-by":"publisher","DOI":"10.1111\/cogs.12984"},{"key":"e_1_2_8_18_1","doi-asserted-by":"publisher","DOI":"10.4324\/9781315185354-11"},{"key":"e_1_2_8_19_1","doi-asserted-by":"publisher","DOI":"10.1111\/tops.12455"},{"key":"e_1_2_8_20_1","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0142474"},{"key":"e_1_2_8_21_1","doi-asserted-by":"publisher","DOI":"10.1080\/01638539609544973"},{"key":"e_1_2_8_22_1","doi-asserted-by":"publisher","DOI":"10.1007\/s11263-009-0215-3"},{"key":"e_1_2_8_23_1","volume-title":"International Educational Data Mining Society","author":"Mills C.","year":"2016"},{"key":"e_1_2_8_24_1","doi-asserted-by":"publisher","DOI":"10.1007\/s12559\u2010010\u20109074\u2010z"},{"key":"e_1_2_8_25_1","doi-asserted-by":"publisher","DOI":"10.16910\/jemr.2.2.4"},{"key":"e_1_2_8_26_1","doi-asserted-by":"publisher","DOI":"10.1093\/acprof:oso\/9780199898138.001.0001"},{"key":"e_1_2_8_27_1","doi-asserted-by":"publisher","DOI":"10.1037\/\/0033\u20102909.124.3.372"},{"key":"e_1_2_8_28_1","doi-asserted-by":"publisher","DOI":"10.1068\/p281059"},{"key":"e_1_2_8_29_1","doi-asserted-by":"publisher","DOI":"10.1167\/13.8.16"},{"key":"e_1_2_8_30_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780429445590-18-18"},{"key":"e_1_2_8_31_1","doi-asserted-by":"publisher","DOI":"10.1364\/JOSA.55.001158"},{"key":"e_1_2_8_32_1","doi-asserted-by":"publisher","DOI":"10.1080\/02724980443000430"},{"key":"e_1_2_8_33_1","doi-asserted-by":"publisher","DOI":"10.1167\/11.5.5"},{"key":"e_1_2_8_34_1","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0039060"},{"key":"e_1_2_8_35_1","article-title":"The Sounds of Evil","author":"Tully T.","year":"1999","journal-title":"Videography Magazine"},{"key":"e_1_2_8_36_1","unstructured":"Welles O. &Zugsmith A.(1958). 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