{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,9,9]],"date-time":"2024-09-09T11:47:00Z","timestamp":1725882420714},"publisher-location":"Cham","reference-count":25,"publisher":"Springer International Publishing","isbn-type":[{"type":"print","value":"9783319557496"},{"type":"electronic","value":"9783319557502"}],"license":[{"start":{"date-parts":[[2017,1,1]],"date-time":"2017-01-01T00:00:00Z","timestamp":1483228800000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/www.springer.com\/tdm"},{"start":{"date-parts":[[2017,1,1]],"date-time":"2017-01-01T00:00:00Z","timestamp":1483228800000},"content-version":"tdm","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"},{"start":{"date-parts":[[2017,1,1]],"date-time":"2017-01-01T00:00:00Z","timestamp":1483228800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.springernature.com\/gp\/researchers\/text-and-data-mining"}],"content-domain":{"domain":["link.springer.com"],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2017]]},"DOI":"10.1007\/978-3-319-55750-2_11","type":"book-chapter","created":{"date-parts":[[2017,3,21]],"date-time":"2017-03-21T06:57:24Z","timestamp":1490079444000},"page":"160-175","update-policy":"http:\/\/dx.doi.org\/10.1007\/springer_crossmark_policy","source":"Crossref","is-referenced-by-count":2,"title":["Clustering Agents for the Evolution of Autonomous Musical Fitness"],"prefix":"10.1007","author":[{"given":"R\u00f3is\u00edn","family":"Loughran","sequence":"first","affiliation":[]},{"given":"Michael","family":"O\u2019Neill","sequence":"additional","affiliation":[]}],"member":"297","published-online":{"date-parts":[[2017,3,22]]},"reference":[{"key":"11_CR1","unstructured":"Biles, J.A.: Straight-ahead jazz with GenJam: a quick demonstration. In: MUME 2013 Workshop (2013)"},{"key":"11_CR2","doi-asserted-by":"crossref","DOI":"10.4324\/9780203508527","volume-title":"The Creative Mind: Myths and Mechanisms","author":"MA Boden","year":"2004","unstructured":"Boden, M.A.: The Creative Mind: Myths and Mechanisms. Psychology Press, New York (2004)"},{"issue":"3","key":"11_CR3","first-page":"23","volume":"30","author":"MA Boden","year":"2009","unstructured":"Boden, M.A.: Computer models of creativity. AI Mag. 30(3), 23 (2009)","journal-title":"AI Mag."},{"key":"11_CR4","doi-asserted-by":"publisher","first-page":"357","DOI":"10.1007\/978-3-662-43631-8_19","volume-title":"Natural Computing Algorithms","author":"A Brabazon","year":"2015","unstructured":"Brabazon, A., O\u2019Neill, M., McGarraghy, S.: Grammatical evolution. In: Brabazon, A., O\u2019Neill, M., McGarraghy, S. (eds.) Natural Computing Algorithms, pp. 357\u2013373. Springer, Heidelberg (2015)"},{"key":"11_CR5","doi-asserted-by":"publisher","first-page":"215","DOI":"10.1007\/978-94-010-0105-2_12","volume-title":"The Turing Test","author":"S Bringsjord","year":"2003","unstructured":"Bringsjord, S., Bello, P., Ferrucci, D.: Creativity, the turing test, and the (better) lovelace test. In: Moor, J.H. (ed.) The Turing Test, pp. 215\u2013239. Springer, Heidelberg (2003)"},{"key":"11_CR6","unstructured":"Cook, M., Colton, S.: Generating code for expressing simple preferences: moving on from hardcoding and randomness. In: Proceedings of the Sixth International Conference on Computational Creativity June, p. 8 (2015)"},{"key":"11_CR7","unstructured":"Dahlstedt, P.: Autonomous evolution of complete piano pieces and performances. In: Proceedings of Music AL Workshop. Citeseer (2007)"},{"key":"11_CR8","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"72","DOI":"10.1007\/978-3-642-29142-5_7","volume-title":"Evolutionary and Biologically Inspired Music, Sound, Art and Design","author":"A Eigenfeldt","year":"2012","unstructured":"Eigenfeldt, A., Pasquier, P.: Populations of populations: composing with multiple evolutionary algorithms. In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 72\u201383. Springer, Heidelberg (2012). doi:10.1007\/978-3-642-29142-5_7"},{"key":"11_CR9","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"1242","DOI":"10.1007\/11539902_158","volume-title":"Advances in Natural Computation","author":"H G\u00f6ksu","year":"2005","unstructured":"G\u00f6ksu, H., Pigg, P., Dixit, V.: Music composition using genetic algorithms (GA) and multilayer perceptrons (MLP). In: Wang, L., Chen, K., Ong, Y.S. (eds.) ICNC 2005. LNCS, vol. 3612, pp. 1242\u20131250. Springer, Heidelberg (2005). doi:10.1007\/11539902_158"},{"key":"11_CR10","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"31","DOI":"10.1007\/978-3-319-31008-4_3","volume-title":"Evolutionary and Biologically Inspired Music, Sound, Art and Design","author":"S Hickinbotham","year":"2016","unstructured":"Hickinbotham, S., Stepney, S.: Augmenting live coding with evolved patterns. In: Johnson, C., Ciesielski, V., Correia, J., Machado, P. (eds.) EvoMUSART 2016. LNCS, vol. 9596, pp. 31\u201346. Springer, Cham (2016). doi:10.1007\/978-3-319-31008-4_3"},{"key":"11_CR11","unstructured":"Jenks, G.F.: The data model concept in statistical mapping. In: International Yearbook of Cartography, vol. 7(1), pp. 186\u2013190 (1967)"},{"key":"11_CR12","doi-asserted-by":"crossref","unstructured":"Lehman, J., Stanley, K.O.: Efficiently evolving programs through the search for novelty. In: Proceedings of the 12th Annual Conference on Genetic and Evolutionary Computation, pp. 837\u2013844. ACM (2010)","DOI":"10.1145\/1830483.1830638"},{"key":"11_CR13","unstructured":"Loughran, R., McDermott, J., O\u2019Neill, M.: Grammatical evolution with zipf\u2019s law based fitness for melodic composition. In: Sound and Music Computing Conference, Maynooth (2015)"},{"key":"11_CR14","doi-asserted-by":"crossref","unstructured":"Loughran, R., McDermott, J., O\u2019Neill, M.: Tonality driven piano compositions with grammatical evolution. In: 2015 IEEE Congress on Evolutionary Computation (CEC), pp. 2168\u20132175. IEEE (2015)","DOI":"10.1109\/CEC.2015.7257152"},{"key":"11_CR15","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"110","DOI":"10.1007\/978-3-319-31008-4_8","volume-title":"Evolutionary and Biologically Inspired Music, Sound, Art and Design","author":"R Loughran","year":"2016","unstructured":"Loughran, R., McDermott, J., O\u2019Neill, M.: Grammatical music composition with dissimilarity driven hill climbing. In: Johnson, C., Ciesielski, V., Correia, J., Machado, P. (eds.) EvoMUSART 2016. LNCS, vol. 9596, pp. 110\u2013125. Springer, Cham (2016). doi:10.1007\/978-3-319-31008-4_8"},{"key":"11_CR16","unstructured":"Loughran, R., O\u2019Neill, M.: Generative music evaluation: why do we limit to \u2018human\u2019?. In: Computer Simulation of Musical Creativity (CSMC), Huddersfield, UK (2016)"},{"issue":"1","key":"11_CR17","doi-asserted-by":"publisher","first-page":"29","DOI":"10.1076\/digc.14.1.29.8812","volume":"14","author":"ER Miranda","year":"2003","unstructured":"Miranda, E.R.: On the evolution of music in a society of self-taught digital creatures. Digit. Creativity 14(1), 29\u201342 (2003)","journal-title":"Digit. Creativity"},{"issue":"1","key":"11_CR18","doi-asserted-by":"publisher","first-page":"1","DOI":"10.1109\/TEVC.2014.2366871","volume":"20","author":"E Munoz","year":"2016","unstructured":"Munoz, E., Cadenas, J., Ong, Y.S., Acampora, G.: Memetic music composition. IEEE Trans. Evol. Comput. 20(1), 1\u201315 (2016)","journal-title":"IEEE Trans. Evol. Comput."},{"key":"11_CR19","unstructured":"Pearce, M., Wiggins, G.: Towards a framework for the evaluation of machine compositions. In: Proceedings of the AISB 2001 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences, pp. 22\u201332. Citeseer (2001)"},{"key":"11_CR20","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"202","DOI":"10.1007\/978-3-319-31008-4_14","volume-title":"Evolutionary and Biologically Inspired Music, Sound, Art and Design","author":"M Scirea","year":"2016","unstructured":"Scirea, M., Togelius, J., Eklund, P., Risi, S.: MetaCompose: a compositional evolutionary music composer. In: Johnson, C., Ciesielski, V., Correia, J., Machado, P. (eds.) EvoMUSART 2016. LNCS, vol. 9596, pp. 202\u2013217. Springer, Cham (2016). doi:10.1007\/978-3-319-31008-4_14"},{"key":"11_CR21","series-title":"Lecture Notes in Computer Science","doi-asserted-by":"publisher","first-page":"341","DOI":"10.1007\/978-3-642-12242-2_35","volume-title":"Applications of Evolutionary Computation","author":"J Shao","year":"2010","unstructured":"Shao, J., McDermott, J., O\u2019Neill, M., Brabazon, A.: Jive: a generative, interactive, virtual, evolutionary music system. In: Chio, C., et al. (eds.) EvoApplications 2010. LNCS, vol. 6025, pp. 341\u2013350. Springer, Heidelberg (2010). doi:10.1007\/978-3-642-12242-2_35"},{"key":"11_CR22","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-15524-1","volume-title":"Why Greatness Cannot Be Planned: The Myth of the Objective","author":"KO Stanley","year":"2015","unstructured":"Stanley, K.O., Lehman, J.: Why Greatness Cannot Be Planned: The Myth of the Objective. Springer, Heidelberg (2015)"},{"issue":"02","key":"11_CR23","doi-asserted-by":"publisher","first-page":"127","DOI":"10.1017\/S1355771899002095","volume":"4","author":"K Thywissen","year":"1999","unstructured":"Thywissen, K.: GeNotator: an environment for exploring the application of evolutionary techniques in computer-assisted composition. Organised Sound 4(02), 127\u2013133 (1999)","journal-title":"Organised Sound"},{"key":"11_CR24","first-page":"313","volume-title":"Musical Networks: Parallel Distributed Perception and Performace","author":"PM Todd","year":"1999","unstructured":"Todd, P.M., Werner, G.M.: Frankensteinian methods for evolutionary music. In: Griffith, N., Todd, P.M. (eds.) Musical Networks: Parallel Distributed Perception and Performace, p. 313. MIT Press, Cambridge (1999)"},{"key":"11_CR25","doi-asserted-by":"publisher","first-page":"117","DOI":"10.1007\/978-1-84628-600-1_6","volume-title":"Evolutionary Computer Music","author":"R Waschka II","year":"2007","unstructured":"Waschka II, R.: Composing with genetic algorithms: GenDash. In: Miranda, E.R., Biles, J.A. (eds.) Evolutionary Computer Music, pp. 117\u2013136. Springer, Heidelberg (2007)"}],"container-title":["Lecture Notes in Computer Science","Computational Intelligence in Music, Sound, Art and Design"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/link.springer.com\/content\/pdf\/10.1007\/978-3-319-55750-2_11","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,3,12]],"date-time":"2024-03-12T11:12:20Z","timestamp":1710241940000},"score":1,"resource":{"primary":{"URL":"https:\/\/link.springer.com\/10.1007\/978-3-319-55750-2_11"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2017]]},"ISBN":["9783319557496","9783319557502"],"references-count":25,"URL":"https:\/\/doi.org\/10.1007\/978-3-319-55750-2_11","relation":{},"ISSN":["0302-9743","1611-3349"],"issn-type":[{"type":"print","value":"0302-9743"},{"type":"electronic","value":"1611-3349"}],"subject":[],"published":{"date-parts":[[2017]]},"assertion":[{"value":"22 March 2017","order":1,"name":"first_online","label":"First Online","group":{"name":"ChapterHistory","label":"Chapter History"}}]}}